Word: trumpet
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...finest vocal on the album, in the song "Meeting Across The River," capsules the false bravado of a Jersey hood asking his friend Eddie for a ride through the tunnel to New York City, where his connection is waiting. But the effect is almost ruined by the lilting trumpet accompaniment, which would be perfect for sitting-on-the-front-porch-swing-sniffing-the-honey-suckle-with-yer-sweetie, but here, makes mush of the vocal. The longest song on the record, "Jungleland," also suffers from over-orchestration: a string section introduces the central piano theme and channels the song...
Married. Al Hirt, 52, Dixie-Pop trumpet player; and Lydia Lucas, 32, Hirt's business manager since 1969; both for the second time; in Algiers, La., less than an hour after Hirt's previous marriage of 33 years ended in divorce. Hirt is almost as famous for his heft (over 250 lbs. at the last weigh-in) as for his high-volume horn. His hits include such brassy tunes as Java, Cotton Candy and Fly Me to the Moon, which was piped into outer space in 1965 to help the Gemini 7 astronauts relax...
...funnies, Pictures is often funny. Listening to it on an RCA Quadradisc, one hears each of the first four notes of the opening "Promenade" from a different loudspeaker. Disconcerting, that. So, at first, is the fact that the sound is not Mussorgsky's piano or Ravel's trumpet, but one of human voices-or rather, canned choral sounds transmogrified by Tomita's Mellotron, an electronic keyboard device that plays prerecorded tapes. Things perk up considerably with the first picture, "The Gnome," a succession of subterranean squeaks and giggles that resemble a band of tipsy trolls frolicking beneath...
...Vibrations Ayler is backed up by a group remarkably sympathetic to his inclinations. All have strong connections with the avant-garde movement: Sonny Murray (drums) had worked extensively with Cecil Taylor, don Cherry (trumpet) with Ornette Coleman and Gary Peacock (bass) with Paul Bley. Each listens to the others to produce an intricately balanced counterpoint. On 'Mothers,' Cherry soars off in clear tones against the gruff, grinding bass of Peacock. When Ayler enters with huge, broad sweeps of melody line, Cherry switches to a jabbing attack of quick phrases...
...anyone, was back on the White House grounds barking out his lament that Ford could not use "tactical air support" and "B52 strikes" and "the mining of Haiphong Harbor." He stood like a ramrod, his chiseled jaw working, his eyes flashing as if he once again heard the distant trumpet, asserting of his old antagonists: "The only language that Hanoi understands is the language of force...