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...Baroque trumpet and organ, produce an incredibly powerful sound together. Given a well-selected program and a competent performance, the result is often quite thrilling. Add to this the specific artistry of an Edward Tarr--considered by many the finest baroque trumpeter today--and the combination should be superb. But last Wednesday's recital at Memorial Church was a disappointment. Though the playing was excellent, the program was second-rate: and no amount of techinical accomplishment can redeem medicore music...

Author: By Kenneth Hoffman, | Title: Baroque Music | 11/19/1971 | See Source »

Girolamo Fantini and Giovanni Viviani were two minor seventeenth-century composers whose works blend into the amorphous mass of early Italian baroque music. The musical content of three of their sonatas was so slender that all attention was drawn to the majestic sound of the trumpet. Baroque trumpet is a far different instrument from its contemporary counterpart. A narrow bore gives it a piercing sound, and pitch production is based on the natural overtone series, produced solely by lip inflection without the aid of keys. The result is a melodic scale available only in the third octave above fundamental pitch...

Author: By Kenneth Hoffman, | Title: Baroque Music | 11/19/1971 | See Source »

...most impressive duo playing of the evening was in the Benno Ammann Repons du Matin: Two Pieces for Trumpet and Organ. Composed in 1969 for Tarr and Kent, the demands on the trumpet player are extraordinary. With amazing precision, Tarr coped with various jazz-like fragments, brutally syncopated rhythms, and the closest of harmonies. Even when using a mute, he did not lose subtle shadings of tone...

Author: By Kenneth Hoffman, | Title: Baroque Music | 11/19/1971 | See Source »

Despite a lifetime of bad church anthems. Maurice Greene (1695-1775) showed the particularly English fondness and skill with brass music. His little Suite of Trumpet Voluntaries belies an unflattering reputation as a feeble Purcell. Only in this set of pieces did Tarr display the kind of virtuoso talent for which he is generally known. The sense of ensemble--excellent throughout the evening--was pertect here in the brilliant parallel thirds where the organ registration sounded like a second trumpet. Equally successful was the encore, a Telemann Air de Trompette, performed with a tremendous sense of style galant grace...

Author: By Kenneth Hoffman, | Title: Baroque Music | 11/19/1971 | See Source »

...case, the playing of Tarr and Kent was excellent. Tarr handled four different varieties of trumpet extermely well; and his mastery of the valveless trumpet is a great wonder considering the art was lost for nearly two centuries. The program had unusual offerings, but except for the Greene suite those that were not unusual were dull. There are far better ways to employ the skills of first-rank artists...

Author: By Kenneth Hoffman, | Title: Baroque Music | 11/19/1971 | See Source »

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