Word: trumpet
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...tones Pianist Corea polishes off here. His touch is firm and percussive, his ear tuned toward a definite, stirring pulse. In Litha he strings together quick, imaginative melodic fragments that are the mark of the alert modernist. When backing the other soloists (Joe Farrell, tenor; Woody Shaw Jr., trumpet), he spreads sprays of dazzling notes that support and enhance the horns' flights. In Tones for Joan's Bones, he displays a more reflective gleam by smoothly rolling the melody over Steve Swallow's loping bass and Joe Chambers' agile brushwork...
When it was all over, this reviewer was left with the memory of reading the great play and imagining a magnificant trumpet fanfare heralding the fight between Hector and Ajax, a sound interpreted in this production by a sickly goathorn whining offstage. Every time it sounded one expected a character from a P.G. Wodehouse musical to emerge saying "Your car is ready, Lord Wooster," or something. But that brings up a whole category of fun things you can do with Shakespeare, and we'd better let well enough alone...
Hutchison: Flair. Lehner: . . ."From the American Anti-Noise League, for exceptionally smooth writing without scratching or squeaking." You hear a trumpet. Tah-Tah! We dissolve to another document. "To Flair from the United Cap Forgetters Council: for having a new kind of ink that won't dry out if you leave the cap off overnight." And a couple of trumpets. Bum-Bum! And on to a third document. "To Flair from the National...
...staff numbered over 40?the largest of any member. Then he drew on Brother Ted's aides, and, of course, Ted himself. Brother-in-Law Steve Smith was there to handle the money. Bobby always maintained widespread contacts in the academic world. And he had but to toot the trumpet to assemble such erstwhile Camelot trusties as Salinger, Ted Sorensen, Lawrence O'Brien, Kenneth O'Donnell, Dick Goodwin. Most of the oldtimers are even working without pay, although, as Rose Kennedy has pointed out, money is no object. For a bodyguard, he retained Bill Barry, a former FBI agent...
JACKIE McLEAN: NEW AND OLD GOSPEL (Blue Note). That hardy musical ghost, gospel, is summoned once again for this session. Its vibrations materialize most happily in a church-spirited composition by Ornette Coleman, who simply plays trumpet on this album. In Altoist McLean's four-part piece Lifeline, though, these vibrations become only the merest echo, as the group slides into the "new gospel" of freedom. Here McLean's quintet (Lamont Johnson on piano; Scott Holt, bass; Billy Higgins, drums) wheels uninhibitedly through the cycle of human experiences, expressing exultation with rollicking riffs, wonder with gentle breathings, anxiety...