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...rendition of his In a Sentimental Mood (the version on the 1962 album Duke Ellington & John Coltrane is particularly enchanting). But Ellington was determined to do more than just write beautiful melodies. He strove to create long, complex compositions exploring social and spiritual themes. Listen to the muted trumpet on Work Song, a track on The Best of the Duke Ellington Centennial Edition. The notes almost seem to form words. The four-minute selection is from Black, Brown and Beige, a three-hour work exploring the history of blacks in America. "Our aim as a dance orchestra," Ellington once wrote...

Author: /time Magazine | Title: Music: Still Loving Him Madly | 4/26/1999 | See Source »

Black, white; man, woman; father, child: questions of identity blur in this hypnotic story of Scottish jazz trumpeter Joss Moody, who, like the real Billy Tipton, is shockingly discovered after his death to have been a woman. Told from the point of view of his grief-stricken widow Millie, his adopted son Colman and Sophie Stones, a tabloid hack hot on Moody's trail, Trumpet is about the walls between what is known and what is secret. "Every person goes about their life with a bit of perversion that is unadmittable, secretive, loathed," Kaye writes. Marred by a central inconsistency...

Author: /time Magazine | Title: Books: Trumpet By Jackie Kaye | 4/19/1999 | See Source »

...finks... As with any good coming-of-age story, non-sequiturs are tailed up like circus elephants. T-Bird's mother shacks up with the Oakland chapter of Hell's Angels. His vengeful father, long split, teaches him philosophy: get even. Somehow he learns to play the trumpet well enough to join a neighborhood Mexican band. He grows six inches in a summer and stops being fat. He takes a job spraying concrete for a construction firm. Loses job. Is last seen swinging a sledge with his dad, breaking truck tires loose from rims. Gets word processor (we guess), writes...

Author: /time Magazine | Title: Books: East Bay Grease | 3/22/1999 | See Source »

...jazz-inflected scores for movies like A Streetcar Named Desire and The Man with the Golden Arm were breakthroughs. Today the sound of a saxophone wailing in the night is as tired a film noir cliche as the battered fedora--the stuff of Carol Burnett sketches. But Blanchard, a trumpet player and film composer himself, finds new beauty and wit in the originals, fashioning mini-suites from the above-mentioned scores (and others) that shift between cinematic lushness and small-group drive. Blanchard's bruised, lyrical solo on Chinatown is a highlight--a freshly heard cry in the night...

Author: /time Magazine | Title: Music: Jazz In Film | 3/15/1999 | See Source »

Tired of lunching in Loker? Grab your fly-by, but ditch the atmosphere: the Harvard University Art Museum presents a Midday Organ Recitalwith organist Murray Forbes Somerville and trumpet player John Almeida.Adolphus Busch Hall, 29 Kirkland St. 495-4544. 12:15 p.m. FREE...

Author: NO WRITER ATTRIBUTED | Title: THURSDAY MAR 4 | 3/4/1999 | See Source »

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