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DUKE ELLINGTON: MARY POPPINS (Reprise). The Duke leaves all the Hollywood sugar in these twelve pieces from the Disney movie and adds some corn (a growling trumpet, a wah-wah trombone). But there is deftness in most of his gentle transformations, and he seems to enjoy playing with the little pieces. The virtuosos of his big band step forward solemnly to play the songs of Mr. Banks, the children and the chimney sweep, and Saxophonist Paul Gonsalves scampers through Mary Poppins' exultant solo faster than one can say supercalifragilistic-expialidocious...

Author: /time Magazine | Title: Television: Feb. 19, 1965 | 2/19/1965 | See Source »

DIZZY GOES HOLLYWOOD (Philips) could more properly be called Hollywood Goes Dizzy, and what a way to go. Gillespie's trumpet throws flames octaves high while it sears eleven songs and movie themes, including those from Caesar and Cleopatra, Never on Sunday and Lawrence of Arabia. Walk on the Wild Side gets the most extended and exploratory treatment along the lines of its title...

Author: /time Magazine | Title: Television: Feb. 19, 1965 | 2/19/1965 | See Source »

...turned out. After two long, probing numbers on the white plastic saxophone that is his trademark, he casually broke out a violin and began sawing away with his left hand at a furious clip, torturing the strings into a chilling, whining frenzy. Then, without a word, Coleman uncased a trumpet and raged on in piercing splashes of startled, yelping notes...

Author: /time Magazine | Title: Jazz: Back from Exile | 1/22/1965 | See Source »

...solution, when it came, so delighted Yamasaki that he confesses to having jumped up and down with glee: a giant, six-story portico, which would marry the building, mall and park. To slenderize his trumpet-topped columns as much as possible, he manufactured them in one piece on the site and derricked them into place. The building repeats their rhythm around the facade in the manner of a Greek temple...

Author: /time Magazine | Title: Architecture: A Porch for Pedestrians | 1/22/1965 | See Source »

Allan Sherman (My Son the Folksinger) did a 60-second job for Brillo and was paid $60,000 plus 3,000 Brillo pads. Harry James wrapped a Kleenex around the end of his trumpet and demonstrated that its blasts would not break the tissue. That was worth $30,000 to him. Now, when he comes onstage in his nightclub appearances, people wave Kleenex at him. Or perhaps Doeskin...

Author: /time Magazine | Title: Television: The Selling Point | 1/22/1965 | See Source »

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