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MUSIC . . . DOC CHEATHAM & NICHOLAS PAYTON: It?s the jazz equivalent of stunt casting: Verve has just released an album that teams Nicholas Payton, a 23-year-old Wynton Marsalis prot?g?, with Doc Cheatham, a slightly older trumpet player, one who cut his teeth with the likes of Ma Rainey and Cab Calloway. Doc ?s 91. The tunes here, writes TIME?s Bruce Handy, are standards, many of them -- like Black and Blue -- part of Louis Armstrong?s repertoire; all are played in a straight-ahead New Orleans style. But one?s suspicion that the result might be dutiful and dull...

Author: /time Magazine | Title: Weekly Entertainment Guide | 5/23/1997 | See Source »

Please don't squeeze the...Penrose Pattern? Makers of toilet tissue trumpet their product's softness, durability and economy, but what about a white embossed paper, above left, that both celebrates the solution to one of the great conundrums of modern science and appears bulkier despite using 15% less paper? In 1974, Sir Roger Penrose, the esteemed Oxford mathematician, devised a geometric pattern--dubbed the Penrose Pattern--that demonstrated for the first time that a nonrepeating pattern could exist in nature, above right. Then one day Sir Roger noticed that the design on a roll of Kleenex quilted toilet tissue...

Author: /time Magazine | Title: Notebook: May 5, 1997 | 5/5/1997 | See Source »

WASHINGTON, D.C.: Although President Clinton will attempt to soften growing tensions between the U.S. and Mexico on immigration and the drug war on his trip to Mexico Monday, his chief mission will be to trumpet NAFTA's successes as he tries to extend the free trade agreement to all of Latin America by 2005. The President wants Congressional renewal of his "fast-track" authority, which gives Congress the power only to vote yes or no on trade pacts, with no chance to amend them. It will be a tough sell. Although the Administration can show positive numbers from the agreement...

Author: /time Magazine | Title: Clinton?s Mexico Agenda | 5/2/1997 | See Source »

...Bird was performed by Don Bellamy, who appeared in the 1993 Broadway musical Red Shoes. From the moment he received his alto sax to his final moments lying on the stage, his performance brilliantly portrayed the ups and downs of a musicians life. Accompanying Bird were his fellow musicians: trumpet, tenor, piano, bass and drum. Particularly notable was Trumpet, danced by Matthew Rushing. His strength and sheer energy came through in the swift jumps, kicks and movements across the stage. Throughout the performance, the dancers showed an amazing ability to stay together even during a pause in the music when...

Author: By Christiana Briggs, | Title: Alvin Ailey Dazzles & Delights | 5/1/1997 | See Source »

...arrangement of the Hank Mobley tune "Soul Station." The latter, which will appear on Braden's upcoming release for RCA/Victor entitled The Voice of the Saxophone, was performed by an all-Harvard Jazz Band Alumni 13-person "Octet." Outstanding solos by tenor player Anton Schwartz '89 and trumpet player Bob Merrill '81, as well as uplifting playing by the rhythm section, fully expressed the buoyant yet nostalgic atmosphere which characterized this reunion weekend...

Author: By Stephane F. Ryder, | Title: A Snazzy Silver Anniversary | 4/17/1997 | See Source »

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