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Eight contestants, including a Radcliffe trumpet player, will compete tonight in the annual concerto contest of the Pierian Sodality of 1808, Mike A. Bamberger '57, the Society's manager, said last night...

Author: NO WRITER ATTRIBUTED | Title: 8 Contestants Compete Tonight In sodality's Concerto Contest | 2/14/1955 | See Source »

Thigamajig (Mel Powell Trio; Vanguard LP). Another in Vanguard's fine jazz series. Powell's piano and the trumpet-playing of Boston's Ruby Braff have a bright fresh effect, both in the oldies, like You're My Thrill, and in the fanciful modernities of Powell's own Bouquet...

Author: /time Magazine | Title: Music: New Pop Records, Feb. 7, 1955 | 2/7/1955 | See Source »

...Jascha Horenstein; Vox, 2 LPs). The Vanguard set of these masterpieces is played more cohesively and soulfully, particularly in such spots as the dissonant slow movement in Concerto No. 1. Vox's interpretations are more rugged and, in the low-toned No. 6, merrier. Standout performer: the Vanguard trumpeter, who tootles his sky-high part in No. 2 with insolent ease. Vox says it used a "clarino" for the part, which sounds more like a clarinet than a trumpet...

Author: /time Magazine | Title: Music: New Records, Jan. 17, 1955 | 1/17/1955 | See Source »

...Haydn: Trumpet Concerto (George Eskdale; Vienna State Opera Orchestra conducted by Franz Litschauer; Vanguard, 1 LP). This is a must. The soloist is brilliant London Trumpeter Eskdale, who amazed and delighted collectors when he recorded excerpts of the concerto some 20 years ago. His style is effortless, his tone is clear and martial, recalling a soldier preening himself in his full-dress uniform...

Author: /time Magazine | Title: Music: New Records, Jan. 17, 1955 | 1/17/1955 | See Source »

...text none of Kierkegaard's intricate philosophizing, but some simple and often beautiful prayers which Composer Barber culled from the preacher's writings. The work begins with plain chant, moves on to orchestral fortissimos. a restrained soprano solo, joyous choral passages and occasional Dies Irae trumpet blasts. But the overall effect is quiet, without either the sweetness or the grandeur expected of religious music. It is clean rather than austere. But at its best, the music matches the tender earnestness of the prayers' poetry...

Author: /time Magazine | Title: Music: Next to Godliness | 12/20/1954 | See Source »

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