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...same program was a sample of modern jazz, Larry Austin's Improvisations for Orchestra and Jazz Soloists, in which Trumpeter Don Ellis, Drummer Joe Cocuzzo and Bassist Barre Phillips took off on some flights of fancy that had their opposite numbers among the Philharmonic deskmen slackjawed. Ellis hit licks on the music stand with the mouthpiece of his trumpet; Phillips performed tricks of bowing that Juilliard never taught. It was loud, and toward the end, it was every-man-for-himself. But it was also great fun for the performers and audience alike...

Author: /time Magazine | Title: Composers: Far-Out at the Philharmonic | 2/14/1964 | See Source »

...education that takes place in the dark classrooms of the movie theater begins with the lesson that love is a violin. Soon the moviegoer learns that modern jazz means trouble in the streets and that war is brass with cymbals. Worry and fear are both cellos, bravery is a trumpet call, and God is the Hollywood Bowl Symphony Orchestra. Film fans once trusted such associations implicitly, like cobras listening for their charmer's clarinet, but lately they have been startled by the sound of surprise. The new and higher esthetic of the film has made a greater range...

Author: /time Magazine | Title: Composers: To Touch a Moment | 1/17/1964 | See Source »

...Action. With him was a trumpet player named John Foss, 27, and in the overheated room, Sinatra was dressed only in a T shirt and shorts. There was a rap on the door. A young man with dark hair and a long face came in, saying that he had a package for the singer. He bent over, set the box down, and stood up waving a revolver at Sinatra and Foss. Then came an amateur touch. Risking life imprisonment, or death in the gas chamber if he should kill the boy, and obviously planning a ransom play that would involve...

Author: /time Magazine | Title: Crime: There's Nothing to Be Sorry For | 12/20/1963 | See Source »

Those Salvation Army sidewalk bands of organ, trumpet, trombone and tambourine have been dispensing the same melody-worn music since everyone was a child. But times change, and in his first press conference as commanding officer, General Frederick Coutts, 64, told startled London reporters: "I am going to get with it. Oh my, yes. If we want to attract young folk, we have to go where they are, to the coffee bars, to their haunts. I can see us making use of all kinds of music-guitars and banjos, and that sort of thing. If we have to adapt...

Author: /time Magazine | Title: People: Dec. 6, 1963 | 12/6/1963 | See Source »

Such is the one-party "guided democracy" that has evolved in Mexico since the Revolution of 1910, and it seems to suit the country well. The choice of a new President is as ritualistic as a papal succession. Under the rules, a candidate cannot toot his own trumpet; he must never give the slightest inkling that presidential ambitions have entered his modest head. Instead, his friends quietly start the bandwagon rolling and set about persuading the party powers that their man is ready for the No. 1 spot. The leaders of the P.R.I.'s trade-union wing, the peasant...

Author: /time Magazine | Title: Mexico: Presidential March: Left, Right | 11/15/1963 | See Source »

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