Word: trumpets
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Dates: during 1940-1949
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...band was wide enough, with a low-range baritone sax and plenty of trombone on one end, and a couple of trumpet men who could skid up to high F on the other, so that he could spread the chords. His music was carefully arranged except for solos. The Duke says "being able to repeat your solo is to me a virtue," a clear violation of the jazz fancier's shibboleth that only the improvised is inspired...
...vacant houses, playing for P.T.A.-sponsored dances and listening to an old jukebox in the Straw and Spoon, a Coke joint across the street from Austin High. When they weren't practicing themselves, they were listening to the big-timers-to King Oliver, the great New Orleans Negro trumpeter, or Beiderbecke and the Wolverines. Other Chicago kids began sitting in with the Austin High gang-one was a Hull House kid named Benny Goodman. When Bix left the Wolverines in Manhattan in 1924, they called for Jimmy, whom Bix once called "the greatest white trumpet man in the world...
Samuel Barber: Capricorn Concerto (Saidehberg Little Symphony, Daniel Saidenberg conducting; Concert Hall Society, 4 sides). Scored in Bach's concerto grosso style for flute, oboe and trumpet solo plus strings, it smacks more of Stravinsky than Bach, has a sensuous eeriness typical of some of Barber's later works...
...little, thin man with a round face, a blinding grin, and white pop-eyes, who seldom appears without a handkerchief in his left hand, kept an impatient audience waiting twenty extra minutes at Symphony Hall last Friday night while he practised his trumpet scales. Then, when he finally appeared, and the band swung through a loud and brassy and the band swung through a loud and brassy "Stompin' At The Savoy" it became clear that Louis Armstrong, at forty-seven, was still a vibrant, entrancing stage personality with a beautifully phrased trumpet and a voice that had lost none...
...program was notable for its innovations. Prokotieff's "March, Op. 99," which called for and received a great deal of refinement of interpretation especially by the trumpets made its New England debut, and Milhand's "Suite Francaise" had been played in this country only twice before. Two pleasant surprises were the muted trumpet sole in Morton Gould's "Pavanue," and the brass and reed choir effects in "Prayer of Thanksgiving." One of the high points in the way of intricate original arranging for which the Band is famous, was reached in the "Strike Up The Band" scoring for the clarinets...