Word: trumpets
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Dates: during 1990-1999
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...close, almost symbiotic relationship between Wynton and Branford marked their childhood and continued into their young manhood. Wynton, extraordinarily disciplined and driven by an insatiable desire to excel, was a straight-A student who starred in Little League baseball, practiced his trumpet three hours a day and won every music competition he ever entered. Branford, older by 13 months, was an average student, a self-described "spaz" in sports and a naturally talented musician who hated to practice. Yet both brothers deny that there was any rivalry between them. "Our personalities were formed to each other," says Wynton...
...brass quintet. Composer and conductor Gunther Schuller vividly remembers the time Wynton showed up at New York City's Wellington Hotel in the summer of 1978 to audition for the Tanglewood Music Center, of which Schuller was artistic director. After impressing the judges with his virtuosity on the Haydn trumpet concerto, Wynton offered to play Bach's extremely difficult Second Brandenburg Concerto. "While he was warming up," says Schuller, "he concealed himself behind a pillar, so I leaned over to see what he was doing. He was pumping the valves and talking to his trumpet, saying...
...fullest measure of Marsalis' musicianship comes from other musicians -- particularly the veteran jazzmen he so admires. Trumpeter Doc Cheatham, 85, calls Marsalis "one of the greatest young trumpet players around. He's at the top level on his horn and improving every day." Bass player Milt Hinton, 80, says Marsalis "stacks up miles ahead of" such past greats as Armstrong and Henry ("Red") Allen in mastery of the instrument. "But he doesn't yet have as much creativity blues-wise and dirt- and funk-wise as they had because he hasn't had to live it." Marsalis' main limitation...
...Whenever he came to New Orleans, he'd pick me up from school, we'd play basketball, then have a trumpet lesson," recalls Marlon Jordan, whose recording debut, For You Only, was released last year. "He had a definite effect on me, and it will be there until I die." Trumpeter Roy Hargrove points to a Marsalis master class at his Dallas high school as a major turning point for him. "He's incredible. He really knows how to communicate with people and make them understand the tradition," says Hargrove, whose Diamond in the Rough album has won high praise...
Jazz strikes a resonant chord in the life of senior editor Thomas Sancton, who reported and wrote this week's cover story on trumpet virtuoso Wynton Marsalis. A native of New Orleans, Sancton studied the clarinet with some of the city's veteran musicians and began sitting in on French Quarter jam sessions as a teenager. Since moving to the Big Apple, he has continued to play occasional gigs at local night spots and in the studio. Last month G.H.B. Records released Tom's seventh album, New Orleans Reunion, a collection of traditional blues and standards that he recorded with...