Word: trunk
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Dates: during 1960-1969
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...three decades ago that treats the Devil and the literary world of Moscow in the 1930s with equal seriousness (TIME, Oct. 27). The book was a great success in Russia and in the U.S. In 1965, Soviet literary authorities printed Black Snow, another satirical novel from Bulgakov's trunk. This is the book that leaves the great Stanislavsky with sour cream on his face...
...does not sufficiently prove his thesis. Indeed, he gives the impression of having researched this book the way Sinclair Lewis used to research a novel: by filling a trunk not only with his own notes but also with every newspaper or magazine clipping that might some day serve to make a point. Many of his statistics come from Government reports, and he naturally leans most heavily on the bleakest. Still, some of the citations are deeply disturbing: children under 18 compose 42% of America's poor; the average Negro who finishes high school has a mathematical ability below eighth...
...reality pervade the film. A distant war threatens the autonomy of Maxence (Jacques Perrin), an artist searching for Catherine Deneuve; most unusual, friendly M. Dutrouz turns out to be a psychotic killer who has sliced his beloved into sections of varying shapes and sizes and stuffed her into a trunk. But even these mystifying inclusions cannot destroy the sweep of Demy's happy rhapsody (as he well knows), and only comment on the tenacity of romantic loves and the indestructible wonder of those who abandon themselves...
...clad models to women's fashion layouts. In an ad for Sea Club beach apparel in French men's magazines, a bare-breasted young woman lounges seductively inside a sleek sports car while a man in a snug-fitting bathing suit sprawls across the auto's trunk. To promote Selimaille men's underwear, a layout in the politically oriented Le Nouvel Observateur features a male model standing with hands folded in front of him, a pose that fails to hide the fact that he is stark naked...
...never marrying, pouring everything into her writing as she mined the rich lodes of Americana she found all across the country-in Chicago (1924's So Big), the Mississippi River (1926's Show Boat), Oklahoma (1929's Cimarron), upstate New York (1941's Saratoga Trunk), Texas (1952's Giant) and Alaska (1958's Ice Palace). Critics sometimes called her shallow; her subjects often found her biting judgments just the reverse (in Texas, in fact, there were mutters of lynching). Her books, Broadway plays and countless short stories, brought her fame and wealth. "Life...