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Word: trusts (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Three general questions emerge. Where do we draw the lines? Who is to play what role in the very complex decision-making process? Do we instill in our physicians unrestrained trust, or must we retain some of the apprehension that ordinarily accompanies that which we revere...

Author: NO WRITER ATTRIBUTED | Title: Professionalism and the God Syndrome | 4/27/1973 | See Source »

...spokesman for Hard Times, said after the meeting that the CRA plan represented a gradual "piecemeal" takeover of Kendall Square by business and white-collar interests. "If we didn't organize and get the people here, the City Council would have passed the resolution," she said. "We don't trust them...

Author: By Robert Mcdonald, | Title: Residents Allege Kendall Square `Deal' | 4/24/1973 | See Source »

...that it is possible tosee how much better Nureyev performs, how much he comes out of himself when he is dancing with Fonteyn than when he is with anyone else. He would never dare slap her. Speaking of their partnership in the film, Nureyev says, "If there is no trust and understanding between you and your partner, it doesn't matter how well you dance." Fonteyn is now in her middle fifties, and her imminent retirement will surely be a great loss to Nureyev's career and to dance audiences...

Author: By Sarah M. Wood, | Title: Nureyev on Film | 4/23/1973 | See Source »

...Camille's, a chronicle of her ascendancy. She becomes a singer, or more accurately a star. Truffaut, who co-wrote the screenplay from Henry Farrell's novel, stresses her lack of morality. She kills and seduces with equal emotionlessness, even as she verbally seduces the naive sociologist. His complete trust, which becomes a more telling kind of hypnotism, is rewarded by betrayal. The act is in part a reemphasis of the insidiousness of her charm, for in framing Stanislas for a murder she committed (her fourth, with attempts at five and six also during the film), she uses his lawyer...

Author: By Freddy Boyd, | Title: Maybe You Had to Be There | 4/21/1973 | See Source »

...beauty does not consist in letting the ears lie back," Charles Ives said). He insists instead on treating the solo instruments and the singing or acerbic melodies as individuals, free to speak for themselves for as long as it takes them. Above all you can hear it in his trust for the most vulgar, most basic element of music: "Poetry atrophies when it gets too far from music," wrote Pound, "and music atrophies when it gets too far from the dance...

Author: By Seth M. Kupferberg, | Title: For the People | 4/20/1973 | See Source »

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