Word: truth
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Dates: during 1920-1929
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...Arthur in his absence. He put spiritism in a class with witchcraft, hysteria and paranoiac illusion, charging spiritualists, as distinct from psychic researchers, with "wishful thinking and logic-blindness." He was at pains, however, to appreciate the large significance of spiritualism's implications, whether they be baffling truth or "stupendous" error...
...great rhythm of human life that is the underlying force of history." Then he diverges to show history moving in 500-year cycles, one of which is to end, and with it the so-called "modern" era (from 1450 on), in 1950. Gothic alone embodies the spirituality, the truth "as absolute as the difference between right and wrong," that can survive. He predicts a "cataclysm." He cries in the night, with the language of Thomas Carlyle and the tone of Ecclesiastes, for a "master man," a hero to worship and to lead. "Religion lacks its Pentecostal tongue; art lacks...
...other day, speaking of his play, an actor in the "Butter and Egg Man" repeated that often told truth: the best humor is that which can incite two to laughter and one to tears. Mr. McCord has discovered the art of humor. This character of his who spends "Half Hours at Sea." who knows a "Philosophy of Ceilings." is humorous in his revlation of pathos. Life to him is no grand grasp of the mighty but a daily contact with the desperately stupid rhythm of life as it is. And the order of his day is the discovery...
...wash of triangular humans and complexed realism that floods the fiction table in our book store really palatable swashbuckling yarns of blood and thunder stand out like welcome terra firma to a man in an open boat. For in the shifting sea of truth and actuality where floats the usual novel of today, the convincing tale of the impossible is a delectable and long sought isle where the casual reader may forget for a time that life is after all a rather nasty combination of prohibitions and inhibitions...
...shows, moreover, a knowledge of ancient rites and prehistoric religions that lend a peculiar fascination to the tale. It is a yarn by a scholar of the antique, if thta is comprehensible, a romance by an author who knows the romance of the past and proves that the truth or near truth after all is stranger than fiction. For the old preChristian festival of the coming of spring--in Plakos, the scene of the action, with the holy spring, the race of the young men and the sacrifices to appease a jealous God--on the outcome of which hangs...