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Word: truths (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...disregard the law. "Basically, the first thing you really learn as a cop is how to lie," says Blondie. For many officers, their first taste of shading the truth involves car stops. "Now, say you see some guy driving who you think is wrong," says Blondie ("wrong" in his lexicon invariably means a black youth in a late-model car). "You stop him on no basis that could stand up in court. So you lie if you have to. You say he ran a stop sign or didn't signal or had a broken taillight that you break after...

Author: /time Magazine | Title: HOW COPS GO BAD | 12/15/1997 | See Source »

Today there is no marker, no mention of any of this on Sullivan's Island--just beach homes and speedboats bobbing in the sun. "The reason people are afraid to talk about slavery is the terrible truth of someplace like this," says Ball. He learned of the pest houses while writing Slaves in the Family (Farrar, Straus & Giroux; $30), his chronicle of his slave-owning family and the blacks they held. "Look at this," he sighs. "The story has absolutely been erased...

Author: /time Magazine | Title: SUTURING THE WOUNDS | 12/15/1997 | See Source »

...slaves. As a child, Ed Ball heard tales of war heroes and beautiful plantations; slaves were rarely mentioned. Ball's father once quipped about matters not to be discussed: "Religion, sex, death, money--and the Negroes." When slavery did come up, two assertions were made as God's truth: We were good to our Negroes. There was no miscegenation...

Author: /time Magazine | Title: SUTURING THE WOUNDS | 12/15/1997 | See Source »

...believed to be the model for Rhett Butler in Gone With the Wind. "We have to find these people," he says of his family's former slaves. "You have to cut the wound open to get the poison out," agrees Ball. "I believe in the power of truth telling. I've seen it suture that wound...

Author: /time Magazine | Title: SUTURING THE WOUNDS | 12/15/1997 | See Source »

...writer, he took revenge in his first screenplay, a dark comedy called Killing Mrs. Tingle. The script got optioned, and the failing Los Angeles actor spent his windfall to repay college loans and lease an Infiniti. But Tingle languished, and by 1995 Williamson was facing the cruel truth: he was not a rising star but a 30-year-old dog walker and word-processing temp, with escalating debt and an old teacher who might have been right...

Author: /time Magazine | Title: THE BARD OF GEN-Y | 12/15/1997 | See Source »

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