Word: tryst
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That is until I recognized that the bewildering political maneuverings are simply a cardboard backdrop for Letty’s quest for erotic gratification. This ugly duckling will have her tryst. She will find Love. She will learn that she is “Sensual. Seductive. Desirable...
...down for a tête-à-tête with Anne-Marie Zapf-Belanger ’09, the Toronto native who skyrocketed to fame last spring when she posted a “casual encounters” ad on Craigslist for a tryst in Widener. Within hours the post hit the open list circuit, sparking debate about everything from morals to missionary. Zapf-Belanger responded in a mass e-mail, informing the world that she was serious, and still interested in shaking up the stacks...
...schemed to elope with her. In maturity, this beauty has become Princess Sophie (Jessica Biel), who is likely to be wed to Crown Prince Leopold (Rufus Sewell), a potentate as brutal as he is handsome--and he is very handsome. If Eisenheim and Sophie are to resume their tryst, they must elude both Leopold and his wily Chief Inspector Uhl (Paul Giamatti). All are ready to play roles in Eisenheim's game: to be his accomplice, his stooge, his unmasker, his ruin...
...plot—which aspires to twist and turn but really lurches and falls off the tracks—is, ostensibly, the story of dissatisfied corporate executives Charles Schine (Owen) and Lucinda Harris (Aniston) who meet on a Chicago train and cautiously flirt before attempting an affair. Their unfaithful tryst is interrupted by a mugger who beats up Charles and rapes Lucinda; the mugger is actually an overtly villainous and obnoxiously French criminal, Phillippe Laroche (Vincent Cassell) who, with the help of sidekick Dexter (Xzibit of “Pimp My Ride”), proceeds to stalk Charles and demand...
...Steve Urkel decided to raise a child together? A kid with a love of numbingly-elaborate swordplay, an itch for preschool humor, and a bunch of very irritated classmates. In other words, an evil cinematic mastermind. Director Martin Campbell seems to be the maniacal spawn of this unholy entertainment tryst. Campbell’s “The Legend of Zorro” (a sequel to his 1998 hit “The Mask of Zorro”) has more puerile laughs than it has plot in its two lurching, painful hours. This movie is like a bottle...