Word: trzcinski
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Stalag 17 (by Donald Bevan and Edmund Trzcinski; produced by José Ferrer) is an unexpectedly bright little knickknack, considering the nature of its subject and the lateness of the season. Set in a Nazi prison barracks full of U.S. airmen, toward the end of World War II, it mixes a good deal of earthy comedy with lively if commonplace melodrama. Somebody in the barracks is plainly blabbing the prisoners' small secrets to the Nazis. And when there is something really serious to blab about - when a new prisoner confides that he set a Nazi train on fire...
Playwrights Bevan & Trzcinski, who met during their years in a German prison camp, provide a few glimpses of Nazi brutality. But in general they display sharper memories for what goes over on the stage than what went on in their stalag. Producer Ferrer, in his boisterous staging, equally neglects mind and heart for spine and funnybone...