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...Chester Morris, and Dolores Del Rio do their respective tasks to perfection. Before the caviling mood is passed, it might be observed that in the final scene, in China, Richard and Chester's telling us in discordant song that Abdul Abulbul Ameer fought in the ranks of the Tsar, is likely to be resented by admirers of the old ballad as an unpardonable confusion...

Author: By E. C. B., | Title: Tbe Crimson Moviegoer | 4/17/1937 | See Source »

...Tsar to Lenin (Max Eastman-Herman Axelbank). An amateur photographer, Tsar Nicholas II of Russia amused him self one summer afternoon in 1913 by snapping his guests and letting them snap him in and about his swimming pool at Livadia. Intended for the royal album, these naive shots turned up last week un der very different surroundings - the screen of New York's Filmarte Theatre, as part of a seven-reel documentary film tracing Russia's history through the War and the 1917 Revolution. Assembled on the general lines of Laurence Stallings' The First World...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 22, 1937 | 3/22/1937 | See Source »

Trotskyist Eastman sees to it that his hero gets into as many scenes as possible, includes only one shot of Stalin. Far greater than its significance as Trotskyist propaganda however is the Tsar to Lenin'?, importance as one more striking testimonial to the screen's potential value as a medium for revitalizing history...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 22, 1937 | 3/22/1937 | See Source »

...Tsar to Lenin starts with a shot of Nicholas II and his four daughters who wear feathered hats, ends with a close-up of Lenin in 1921. Between the two, it assembles an extraordinarily complete record of major happenings, catches the spirit of ten incredible years. Best shots: palace guards helping the 10-year-old Tsarevitch mount his horse; Petrograd crowds tossing bouquets at Kerensky; an unidentified Bolshevik soldier smiling at his White firing squad...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 22, 1937 | 3/22/1937 | See Source »

Most interesting fact about the manufacture of Michael Strogoff is the fact that not only its big scenes-Tartar troops riding across the steppes, rout of the Tsar's regiments by Ogareff's cavalry-but almost all the outdoor sequences were actually filmed in Siberia, giving the picture a photographic validity that could not possibly have been duplicated in California where almost every foot of available landscape is already familiar to cinemaddicts. Second most interesting fact is that all this apparently expensive panoramic authenticity cost RKO practically nothing. Michael Strogoff was originally made in both French and German...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 15, 1937 | 3/15/1937 | See Source »

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