Word: tschudin
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Dates: during 1960-1969
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...concentration, but that Friday, as fact and fuure legend will bear out, 90 per cent of the crowd stopped dancing and stood around the platform to watch Streetchoir's galvanizing first public performance. The tidal wave of applause that followed their last set rivalled the electrical intensity of Michael Tschudin's powerful organ solos...
This, perhaps, is the only history that matters. But for the record, lead guitar John Hillman found harp-player Peter Ivers playing on a subway, and singer-bass player Gilbert Moses met Tschudin putting on plays in the NYU Drama Department. The previous friendship of Tschudin and Ivers brought the duos together, and the four auditioned for a drummer, luckily finding Jay Rubero. Ivers '68, a classics major who looks like a cross between Dennis the Menace and a Marvel superhero, proudly tells us that the new rock-and-roll group is based in Boston so he can finish college...
...Michael Tschudin wrote the un-Alban-Bergian but thoroughly appropriate score. He played it on piano and organ, accompanied by a beautiful blonde flute player from Juilliard reputed to be his girlfriend...
...orchestra consisting of tympany and vibraphone plays an effective, fortunately not over-used score by Michael Tschudin. Tschudin's music contributes significantly to the ectasy of the Bacchae, but the score also gives an over-all continuity to the production...
...scenery, by conductor Tschudin, consists of flaps, pillars and stairways which work well enough but come in less than attractive colors. Also the pillars look like enormous candles, but they can be gotten used to. The stage stretches down the long side of Winthrop dining room, with the unavoidable result that seats are cramped and sight lines poor...