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...high point of the trip was a 2-hr. 45-min. meeting with Chairman Mao Tse-tung. No details of their talks were released, but afterward the Secretary of State expressed his delight that the Chinese had chosen to describe the meeting as "friendly...

Author: /time Magazine | Title: DIPLOMACY: The Cyclone in the Far East | 11/26/1973 | See Source »

Presumed Dead. Liu Shao-chi, 75, Communist China's dour chief of state for a decade until becoming the most prominent purge victim of Mao Tse-tung's Cultural Revolution of 1966-69; of cancer; in Peking. Born in Mao's native province of Hunan, Liu was a member of the Communist Party's Central Committee by 1927 and in 1943 rose to Secretary-General, the No. 2 post in the regime. First denounced in 1966 as a pro-Soviet "revisionist" who favored work incentives, Liu was completely out of power three years later...

Author: /time Magazine | Title: Milestones, Nov. 19, 1973 | 11/19/1973 | See Source »

...editorial, Pravda heaped abuse on the Peking leadership, charging Mao Tse-tung with waging a "frantic struggle against the socialist countries." At a speech in Tashkent two weeks ago, Soviet Party Leader Leonid Brezhnev complained that China had ignored several Soviet offers of a non-aggression pact, the latest made last June. Said Brezhnev: "It is characteristic that the leaders of the People's Republic of China, who scream throughout the world about some Soviet threat supposedly hanging over them, didn't even bother to reply to this concrete proposal of the Soviet Union...

Author: /time Magazine | Title: COMMUNISM: Sino-Soviet Stalemate | 10/15/1973 | See Source »

...Tse-tung proclaimed the founding of the People's Republic of China...

Author: /time Magazine | Title: COMMUNISM: Sino-Soviet Stalemate | 10/15/1973 | See Source »

...seemed a cultural crime. In mainland China during the late 1960s, as part of Mao Tse-tung's Cultural Revolution, the ancient art of Peking opera was deliberately put to death. The person responsible was Mao's wife, Chinese Cultural Queen Chiang Ching. To Madame Mao, Peking opera was bourgeois, reactionary, too concerned with court life. She replaced it with an unadorned, realistic style of opera that celebrates the struggles of workers, peasants and soldiers against landlords and imperialists. Gone forever, or so it seemed, were the highly stylized music dramas about kings and concubines, scholars and lute...

Author: /time Magazine | Title: Music: Chinese Opera: Gongs & Whiteface | 10/8/1973 | See Source »

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