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Word: tsutomu (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Hideki Gondo (Tsutomu Yamazaki) is her dark double, a crippled, spidery man whose vast real estate portfolio includes a chain of notorious hot-sheet hotels. Gondo's outward manner vividly contrasts with Ryoko's. He too has a childish air about him, but it is the air of a spoiled child. Abruptly cruel and totally selfish, he is as maniacally dedicated to tax avoidance as she is to tax compliance. She may spare a moment from investigative accountancy for compassion (directed at his troubled teenage son). He may digress from getting and hoarding to express a possibly authentic romantic longing...

Author: /time Magazine | Title: Cinema: Driven by Uncontrollable Passions A TAXING WOMAN | 5/16/1988 | See Source »

...luck changes when a Clint Eastwood-esque stranger named Gun (Tsutomu Yamazaki) struts into her restaurant. She entreats him to teach her the finer points of noodle cooking. He consents, and puts her on a rigorous training regimen. He assembles, Seven Samurai-style, a group of gourmands to educate her in each different aspect of noodle cooking...

Author: By Michael D. Shin, | Title: Tampopo | 8/11/1987 | See Source »

...sprint for glory. The contenders were Mark Gorski, 24, ranked fifth in the world, and the stylish Nelson ("Cheetah") Vails, 24. Vails learned his moves sprinting through gridlock as a New York City bicycle messenger. Gorski took the gold, taking both heats, Vails the silver, and Japan's Tsutomu Sakamoto the bronze. As they racked up the wins with their funny bikes and star-spangled skinsuits, the reasons for U.S. success became evident: Eddie B.'s tight pre-Games team tactics and rigorous Rocky Mountain regimes. As Vails put it last week, "In today's cycling world...

Author: /time Magazine | Title: Olympics: Pushing Their Pedals to the Medals | 8/13/1984 | See Source »

KAGEMUSHA begins with a simple tableau: a Japanese feudal lord, Shingen (Tatsya Nakada), sits in the center of the screen: on the left is his brother (Tsutomu Yamakazi); in the lower right corner is a thief (Tatsuya Nakada), whom the brother has plucked from a crucifix because he bears a strong resemblance to Shingen. An austere composition, the lord virtually immobile, the camera immobile, the long scene played out in one shot. Later, after the lord. Shingen, has been assassinated, we learn that he was called the Moutain, that the Moutain did not move, and therein was his strength...

Author: By David B. Edelstein, | Title: By Indirection | 12/6/1980 | See Source »

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