Word: tterd
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Beside the Götterdämmerung thunders of the Russo-German War, the 80-hour campaign to achieve all these desirable things sounded like the popping of a little corn. Down either side the Caspian came the Cossacks-horsed, mechanized and propellered. Their western column rapidly took Tabriz; their eastern the port of Bandar Shah (see map). To the south the British crossed from Iraq and made sure of the richest single oil field in existence; their warships in the Persian Gulf squashed Iran's minuscule Navy, sinking two sloops, capturing seven Axis ships. Indian troops landed...
Manhattan's Metropolitan Opera last week ended its season with a performance of Wagner's Die Götterdämmerung, in which even Brünnhilde's horse joined in the singing, with off-pitch whinnies. For Manhattan can take grand opera for only 16 weeks at a time...
Wagner: Love Duet and Liebestod from Tristan, Brünnhilde's Immolation from Götterdämmerung (San Francisco Opera Orchestra, Edwin McArthur conducting, with Kirsten Flagstad and Lauritz Melchior; Victor: ten sides). Souvenir of a great operatic team which may soon be heard no more (TIME, Jan. 22). Conductor McArthur's shyly reticent accompaniment keeps it from being as good as it should...
...like a veteran, and the Sydney critics gave him top marks. After that Flagstad swore by him, insisted that he conduct whenever she sang. Last month she got herself into a row with Manhattan's Met because it refused to engage him for her Tristans and Götterdämmerungs (TIME, Jan. 29). At the San Francisco and Chicago Operas she got her way, and McArthur was soon making himself a place among leading U. S. Wagnerian conductors. Today, Conductor McArthur gives all the credit for his success to Soprano Flagstad. Says she: "I wouldn...
...brushing off its costumes for the opening of the opera season, 61-year-old Conductor Bodanzky died of heart disease. Willy-nilly, he left behind him a reputation as a Wagnerian conductor-one of the world's best. Under his morose, buzzardy stare, Tristans and Götterdämmerungs became not only the best produced, but the most popular operas in the Metropolitan's repertory. Behind the throne of General Manager Edward Johnson, Bodanzky was a great power in the Met, had more to say about who should sing what, and how, than anyone else...