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...first, Mentum lodged himself in the tuba section of the Brown band, which soon made a lot of noise when Bill Gilligan gave the Bruins a 1-0 lead before most of the crowd had finished its manicotti lunch (surprisingly, that wasn't the worst meal of the weekend, as it ranked second to last night's meat loaf and/or sardine combination...

Author: By Michael K. Savit, | Title: Skaters Come Out of Reading Period Sleep, Send Bruins Back In, 4-3, On Late Garrity Goal | 1/10/1977 | See Source »

...most players also felt that it would be a mistake to make any absolute decrees, because there may be years when Harvard simply cannot fill its trombone, or tuba, or bass sections. "If Harvard recruited more musicians--and offered them more here--that problem wouldn't arise," one violinist said...

Author: By Fred Hiatt, | Title: Quotas, HRO Style | 10/23/1976 | See Source »

...particularly noisy section of Cantabrigians, sitting close to the field at the 50 yard line, bribed and cajoled a staggering Leverett House sophomore into doing an unrehearsed dance routine with the Dartmouth band at midfield. He tried it a second time, only to be decked by a wayward tuba...

Author: By Mike A. Calabrese and J.h. Yeager, S | Title: Harvard Havoc Reigns in Hanover | 10/19/1976 | See Source »

...sight with a hose and periodically sprinkled then-Brave Ralph Garr, who kept staring at the sunny sky in amazement. You often get that kind of thing in baseball. Once before a game in St. Louis, Bob Uecker, then a journeyman catcher, now an ABC announcer, borrowed a tuba from a band that was playing on the field and used it to shag flies. "Everybody loved it," says Uecker. "Except the tuba player...

Author: /time Magazine | Title: A NEW LOOK FOR THE OLD BALL GAME | 4/26/1976 | See Source »

Mahler: Symphony No. 4 in G (Judith Blegen, soprano; Chicago Symphony; James Levine, conductor; RCA, $6.98). There appears to be little that James Levine, 31, cannot do, except perhaps play Scott Joplin on the tuba. The remarkable new music director of the Metropolitan Opera already has several superlative operatic recordings to his credit (notably / Vespri Siciliani on RCA and Joan of Arc on Angel). This version of Mahler's Fourth, a genial pastoral masterpiece, has a flowing line rarely matched in current interpretations and an intimacy that, comes close to Bruno Walter's incomparable recording of the 1940s...

Author: /time Magazine | Title: Music: Classical Records: Pick of the Pack | 6/23/1975 | See Source »

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