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...major Paramount motion picture starring Anthony Quinn as John Dunlop and Ali McGraw as Mary I. Bunting, the woman whose college Quinn saves by paying off the mortgage seconds before the creditors start moving the furniture out of Currier House. George Bennett sings the Henry Mancini theme song, "Every Tub on its Own Bottom." Below is a shot from the climactic final scene in which ground is broken for a cement-and-concrete nuclear reactor and photocopying center on the former site of Harvard Yard and Memorial Hall. BENNETT announces, "With construction costs rising 73 per cent a month...

Author: NO WRITER ATTRIBUTED | Title: Taurus and Tealeaves The Crimson Predicts: 1971 | 1/4/1971 | See Source »

...School is one of the most easily overlooked yet most innovative graduate schools in the University. It is also a financial disaster area, or in the Harvard idiom, a bottomless tub...

Author: By Robert Decherd and Scott W. Jacobs, S | Title: The Presidency: Clip and Save Part II | 12/5/1970 | See Source »

...schemes of social philanthropy and community investment seem doomed to founder in this dismal fiscal climate. But that is true only if ETOB ("every tub on its own bottom") remains the principal rule of allocation. By failing to assault vigorously the principle of ETOB, the memorandum inevitably stacked the arguments to support the status quo. ETOB really means that the deans and their faculties run roughshod over a relatively powerless administration, helpless to set priorities or to weigh alternative expenditures. Harvard must clearly have a systematic procedure for simultaneously appraising all possible options for raising and spending money...

Author: By Thomas Geoghegan, | Title: The Politics of Money | 12/3/1970 | See Source »

...opts immediately for the latter. There are other creatures on the show, like Bert and Ernie­humanoids with cartoon hands, three fingers and a thumb. Bert, who has one frowning eyebrow, chivvies Mutt-and-Jeff style with Ernie, a bulbous-nosed charmer whose favorite sport is sitting in the tub, rhapsodizing to his rubber duckie. Oscar the Grouch lives in a garbage can. There he fulminates, venting such mock aggressions that by comparison a child in a tantrum is Little Mary Sunshine...

Author: /time Magazine | Title: Television: Who's Afraid of Big, Bad TV? | 11/23/1970 | See Source »

With that, The Owl and the Pussycat sets out on a sea of hysteria, and their cramped tub somehow manages to stay afloat. Felix is the owl, a pedantic would-be writer who works in a Fifth Avenue bookstore. Doris is the pussycat, a randy stray from New York's back alleys who has been in two television commercials, a movie entitled Cycle Sluts, and countless beds. By the time she gets through screaming at Felix, they are both evicted-Felix wearing a skeleton suit to frighten Doris out of the hiccups, Doris clad in her best crotch-length...

Author: /time Magazine | Title: Cinema: Fur and Feathers Flying | 11/16/1970 | See Source »

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