Word: tubularity
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Crahay, of the house of Ricci, plunges décolletage both fore and aft (either one or the other, not both at once), swirls one-armed capes around suits and coats. Balmain's tubular sheaths stick to the body like spies but turn coy beneath coverup chiffon overlayers. Goma's collection-the theme is "looping the loop"- shows wasp waists and a high bustline. Griffe, who claims to have "rediscovered woman," calls his shape the "jet line," fans permanent pleating out from just underneath the arms or from mid-front and back to the hem. Jacques Heim...
Thunderbird will be pizazzier than ever, and is shrouded in such secrecy that industry sources predict a big "surprise." The intermediate Mercury Meteor is essentially the same body shell as the Fairlane, with dual headlights and tubular taillights. Lincoln, in keeping with Ford policy of styling continuity over four-year periods, is making only minor trim and grille changes...
...Kahn, dramatically ignoring the necessity of rectangular symmetry, modeled a skyscraper that suggests a tottering, concrete Erector set. Other projects offer radical new solutions for transportation and land use: Le Corbusier's plan for a road that is itself a building, and Paolo Soleri's tubular concrete bridge that eliminates ascending and descending roads...
Until their engines start, the cars look like casual products of the neighborhood junkyard. The body is an open, tubular-steel chassis with a wheelbase of some 40 in., a bucket seat that rests a scant two inches above the ground. Knees stuffed under his chin, the driver cramps behind the wheel like a frog in a walnut. Then the two dinky, 6-h.p. engines perched behind the seat begin to snarl, and the bedspring contraption becomes a hot, highly engineered racing machine that can hit 85 m.p.h. on the straightaway, drift through corners like a Maserati. Says one driver...
...leukemia in 1957 at 35. Last week's performance, conducted by Richard Korn, featured Marimbist Chenoweth as soloist. A small woman (5 ft. 2 in.), she seemed dwarfed by her instrument-a 6-ft. tablelike frame supporting a graduated series of hardwood strips with a row of tubular resonators attached. But when she started to flail away with both wool and rubber-tipped mallets, Marimbist Chenoweth proved herself a virtuoso. Scampering from one end of the instrument to the other, she produced flurries of bell-like tones in a surprising dynamic range. As for the piece itself, it proved...