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...Marilyn Tucker was as bright as the women in Quayle's study group, and her uncle, the Indiana secretary of state, was a Jenner man. She and Quayle were sure of each other from the start and were married in 1972 by the friend of both their families, Kent Frandsen. It was a fine political marriage by Indiana standards, but after passing the bar exam in 1974 Quayle went back to Huntington, to his father's small paper, without announced political ambitions...

Author: /time Magazine | Title: DAN QUAYLE: Late Bloomer | 4/23/1990 | See Source »

News Editor for This Issue: Jonathan S. Cohn '91 Night Editors: Seth A. Gitell '91 Matthew M. Hoffman '91 Suzanne Petren Moritz '93 Maggie S. Tucker '93 Melanie R. Williams '91 Editorial Editor: Joshua M. Sharfstein '91 Feature Editor: Jonathan S. Cohn '91 Sports Editors: Peter I. Rosenthal '93 Michael D. Stankiewicz '91 Photo Editor: Leor S. Bachar '90 Business Editor: Ray Nomizu '91 Copy Editor: Roger...

Author: NO WRITER ATTRIBUTED | Title: Editor for This Issue: | 4/12/1990 | See Source »

With this show and its catalog essay, curator Paul Hayes Tucker, the leading U.S. expert on Monet, has set out to amend a number of received ideas about the artist. Chief among them is Cezanne's opinion: "Only an eye, but my God! What an eye!" In this view, Monet becomes a painter of mere sensation, exquisitely attuned to every sense impression but lacking social point and intellectual fiber...

Author: /time Magazine | Title: Art: Letting Nature Reign Resplendent | 3/26/1990 | See Source »

Monet's reply to anti-impressionist prejudice, Tucker argues, was to broaden - the base and subject matter of his work. He wanted to show that the greatest landscape painting in France could still be produced by impressionist means. "Nature should not be submitted to harsh, premeditated analysis, as in the Grande Jatte," he writes of Monet's attitude. "It should be allowed to reign in the painting as it does in the world -- resplendent in all its nuances, variants, subtleties and surprises...

Author: /time Magazine | Title: Art: Letting Nature Reign Resplendent | 3/26/1990 | See Source »

...from the late '80s on, Monet labored to take impressionism out of Paris and the immediate environs of the Seine. He painted all over the country. Tucker suggests that much of his work, seemingly without social content and often without people in it at all, is actually a long lyrical evocation of a timeless France, a rebuke to the political imbroglios and financial scandals that obsessed Paris. Monet wanted to fix impressionism (especially his impressionism) in people's minds as a healing, patriotic style...

Author: /time Magazine | Title: Art: Letting Nature Reign Resplendent | 3/26/1990 | See Source »

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