Word: tudors
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Dates: during 1930-1939
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According to the drawing made this morning, the heavyweight division promises to be the feature of the event. Among the heftier leather-throwers is a large contingent from the gridiron, including Captain James J. Gaffney '37, Charles W. Kessler '37, Joseph H. Nee '38, and Tudor Gardiner '40. Many of the Freshman team and nonletter men from the Varsity have entered the competition...
...famed 225-acre estate, on a road locally called ''The Irish Channel" from the origin of several large landowners along it. Behind massive iron gates, looming almost as large as the late Otto Kahn's huge chateau down near Huntington, stands a rambling, many-chimneyed Tudor house whose four stories and So rooms contain $2,000,000 worth of the world's greatest paintings, tapestries, porcelains and a large, handsome private chapel. Last week the public learned that next May it may pay admission-for charity-to inspect the house, the wooded walks, the unsurpassed rose...
Hitherto undefeated and challenged by wrestlers with top-notch records, Bill Daughaday and Tudor Gardiner in the 165-pound and unlimited classes look forward to their greatest test today. Most doubtful are the outcomes of the 118-pound match in which Sears will face an Eli grappler of far greater experience and of the 175-pound contest when Lewis, who recently drew with Lacey, the Exeter champion, will oppose Jauer of the Blue...
...first time in several years, Crimson trackmen will journey to New York this weekend to compete in the annual Millrose A.A. games to be held tomorrow night in the Madison Square Garden. Representing Harvard in the triangular one mile relay with Yale and Princeton will be Frank Leary, Tudor Richards, Al Hanion, and Bill O'Connor. Captain Bill Schmidt, who placed third last week in the K. of C. Meet of Boston, will enter the 60 yard invitation high hurdles and seek to better his last excellent performance...
With bona-fide critics hailing Laughton's "Rembrandt" as a satisfying sequal to his jobs with the notorious Tudor monarch and the "Mutiny on the Bounty", and with the local half-shell philosopher disagreeing with editorial policy, as is his prerogative, and damning it as a fraud and a delusion, the spectator has no where to turn. For certainly "Rembrandt" is not a great picture. Laughton, overimpressed with his own impressiveness, talks in a whisper that makes flesh creep, while the whole theme of the artist's life seems too simple for him and yet too deep, and it evades...