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...play they present is not an easy one to produce, but quite obviously, a lot of people gave it a lot of work. The sets are lavish; the costumes (by Elizabeth Tudor) are beautiful and exquisitely detailed. Drawn entirely from the Harvard "community" almost every actor fills his part--most are better than competent. Measure for Measure is worth seeing, but once the production inspires you to start thinking about it, you can hardly stop. Half the pleasure of experiencing Shakespeare--off the shelf and on the stage--is in asking questions. Since this production lacks strong, cohesive direction...

Author: By Christine Healey, | Title: Questions About Shakespeare | 4/26/1978 | See Source »

...each as an independent entity, without the need to impose an artificial ordering. Perhaps this explains the paradoxical association between a choreographer who views neither music nor decor as a determining element of dance, and a succession of major composers (Cage, Christian Wolff, Earle Brown, Gordon Mumma, David Tudor, Pauline Oliveros) and artists (Robert Rauschenberg, Frank Stella, Andy Warhol, Jasper Johns...

Author: By Jurretta J. Heckscher, | Title: Dance on its Own Two Feet | 2/16/1978 | See Source »

...Kresge Auditorium at 8 on Saturday, January 28. The evening will feature special guest artists Lydia Abarca and Ronald Perry of the Dance Theater of Harlem in pas de deux from the virtuoso "Le Corsaire" and the Balanchine-Stravinsky "Agon," as well as the Repertory company in Antony Tudor's "Soiree Musicale," Director Samuel Kurkjian's snappy "Speed Zone", and the world premiere of a new Kurkjian work, "A Cole Porter Suite." The week preceding offers lecture-demonstrations and master classes by members of the Company. For ticket and general information on what should be an unusually in-depth look...

Author: By Jurretta J. Heckscher, | Title: Or, You Could Plead Temporary Insanity | 1/12/1978 | See Source »

...most readers. Irving Stein provides the best example of this in the current novel. Urged to remember his sons when bequeathing his entire art collection to Elesina, he relents with a few to kens: "Well, suppose I leave them each a painting?...To Lionel the Holbein of Mary Tudor. To Peter the Botticelli To David the big Tiepolo...

Author: /time Magazine | Title: Books: Auchincloss's Rules of the Game | 7/11/1977 | See Source »

...Archives have preserved only a few of these speeches, but from the few which remain, their themes are easily recognizable. In 1940, a time when most Americans were still enjoying the liberties of post-World War I isolation one-and-a-half years before the bombing of Pearl Harbor, Tudor Gardiner spoke about the dangers of peacetime, and American security...

Author: By Laurie Hays, | Title: The Revolution Will Not Begin on Class Day | 5/4/1977 | See Source »

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