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Word: tullio (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

Pompous Beniamino Gigli was better as Don Ottavio; Elisabeth Rethberg sang primly as Donna Elvira, Editha Fleischer prettily as the peasant Zerlina. Credit for a satisfying performance, however, belonged not so much to the singers as to Conductor Tullio Serafin, who gave the score a glancing, crackling charm...

Author: /time Magazine | Title: Music: Don Giovanni | 12/9/1929 | See Source »

Strictly Dishonorable. In a speak-easy whose murals luridly depict the Bay of Naples, a gentle-spoken maid from Mississippi (Muriel Kirkland) is wooed in ripe Neapolitan style by a singer of the Italian nobility (Tullio Carminati). She scarcely objects, for she has just had an altercation with her boorish fiance from West Orange, N. J. (Louis Jean Heydt). Even though the Italian is so indelicate as to offer her a bed in his apartment over the saloon and boldly announces his intentions as "strictly dishonorable," she does not quail...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Sep. 30, 1929 | 9/30/1929 | See Source »

...Golden West, Manon Lescaut, Otello, Norma, Gioconda, Boris. Conductors are Bruno Walter, Robert Heger, Vincenzo Bellezza. Chaliapin heads the singers. The Paris music season, at its height from now through June, includes a series of performances at the Champs-Elysees Theatre by the Turin Opera Company, conducted by Tullio Serafin of the Metropolitan. Germany's offerings are endless. In Berlin, beginning May 19, operatic activities include Wagner, Strauss and Mozart cycles, festival concerts under the direction of Conductors Furtwaengler, Kleiber, Klemperer, Walter; guest appearances of the Scala Opera of Milan under the direction of Toscanini. In Munich, the usual...

Author: /time Magazine | Title: Music: Spring & Summer | 4/29/1929 | See Source »

Giuseppe Bamboschek Louis Hasselmans Vincenzo Bellezza Tullio Serafin Artur Bodanzky

Author: /time Magazine | Title: Music: Metropolitan Roster | 7/23/1928 | See Source »

...dark mountains were panelled brightly with ice. The chandeliers at the opera house, El Teatro Colon, in Buenos Aires, glittered as if with a luminous frost. At 9 o'clock, when the curbs outside it were populated with chauffeurs, wrapped in long coats, music began in El Colon. Tullio Serafin raised his baton, the violins began a soft prelude and the curtain rose upon Aida, a scene of warm sands and tropical trees...

Author: /time Magazine | Title: Music: In Buenos Aires | 6/4/1928 | See Source »

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