Word: tullio
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Dates: during 1950-1959
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Meneghini sold out his business, invested the proceeds in real estate, and became Maria's private impresario and only agent. "Why should I give those damned agencies 10% or 20% of what I make?" she asked. Meneghini coaxed old Conductor Tullio Serafin, now 77, to coach her, and the two went to work. In Turin, before she was to appear as Aida, a curious critic wandered into the theater at 9 a.m. to find her onstage, going over every passage again and again. while Serafin interrupted, corrected, polished tirelessly. They worked until midnight, were at it again early next...
...maxims (sample: "Where there is aw there is injustice") and then dies; he Machiavellian Prince Vassily (Tullio Jarminati) scarcely gets out of the wings, and the two men struggling for possession of Holy Russia, Kutuzov (Oscar Homolka) and Napoleon (Herbert Lorn), are seen simply as eccentrics-the one, an untidy, drowsy general; the other, a preening peacock who imagines he is an :agle...
Schippers was a fillin. L'Heure Espagnole was to have been led by the veteran Tullio Serafin, 74. But Serafin was ill at his home in Italy. Until a fortnight ago Schippers had never had Ravel's score in his hands, but he is what is known in the heater as a quick study. With his flair for the modern and his incisive baton technique, Schippers came through fine. Ravels music sparkled, and the cast matched it with high-spirited singing and acting...
Rossini: The Barber of Seville (Victoria de los Angeles, Nicola Monti, Nicola Rossi-Lemeni; Milan Symphony Orchestra and Chorus conducted by Tullio Serafin; Victor, 3 LPs). A fine performance and elegant recorded sound make this the first fully satisfactory LP of The Barber. De los Angeles' voice, while not so flexible as Pons's in her heyday, is brilliant and accurate in coloratura passages. Monti is a lyrical and affecting tenor, and Rossi-Lemeni's bass is almost too sumptuous for his tomfoolery as Basilio...
Conductor Tullio Serafin threw up his job at the Metropolitan Opera 18 years ago and headed home to Italy; opera in the U.S., he said, was "dying." Last week, at 74, Conductor Serafin was back in the U.S., ready to admit that his pessimism may have been premature. After half a century of conducting in such world-famed opera houses as Milan's La Scala, Rome's Royal Opera and Buenos Aires' Teatro Colón, Maestro Serafin had signed up to lead the Italian wing at Manhattan's lively young City Opera...