Word: tumbledown
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...best specimens of barbecued beef, chopped pork and baby back ribs are at Aleck's Barbeque Heaven, a tiny tumbledown shack that slices up lean, tender meat flavored with counterpoints of woodsy smoke and black pepper, complemented by a thin, brassy sauce unmarred by sweetness. Runners-up include the Auburn Avenue Rib Shack, in the historic black downtown area of Sweet Auburn, and Harold's Barbeque, the site of the best-quality meats, the most comfortable dining room and, sadly, the stickiest, sweetest sauce...
...reprise of the director's favorite narrative recipe. A child is separated from his parents, confronts adversity and is reunited with them. But here the child is not abducted by poltergeists < or locked in a De Lorean time warp. Young Jim (Christian Bale) loses his way because, in the tumbledown panic of escape from Shanghai, he reaches for his precious toy airplane instead of holding onto his mother's hand for dear life. Once on his own, he leaps into the grasping arms of a scurvy American merchant seaman (John Malkovich). Jim might be an Oliver Twist auditioning for Fagin...
Home means no freedom; freedom means no home. That is the dilemma facing all the tumbledown souls who drift through the peeling Springsteen homes and long, open highways of Jayne Anne Phillips' fiction. Castoffs from the counterculture, sleeping on floors or living in cars, unsure of where they stand in time or space, few of them know how to keep jobs, let alone take care of themselves. Phillips' characters lack purpose and authority. Their world is fluid, but they do not quite go under. They simply float...
...came from here, but, more important to Malcolm White at the moment, so did B.B. King, Charlie Patton, Robert Johnson, Howlin' Wolf, Son House, Muddy Waters, John Lee Hooker, Sonny Boy Williamson and a lot of old lesser lights who still sing the blues off the front porches of tumbledown shacks. "Check this out," White said at one point. "We're going to pick up a blind man that's going to show us how to get to this other guy's house...
...Yale Repertory Theater demonstrated last week in what it billed as a "25th anniversary" revival of his first international success, The Blood Knot. The play, which Fugard started writing in 1960 and performed in 1961, is the story of two mixed-race brothers who live together in a tumbledown shack on the outskirts of Fugard's hometown, Port Elizabeth. One is light-skinned enough to pass for white, and for years he tried to do so; one is unmistakably, and bitterly, black...