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...prodigy to being a legend in the space of about two years, and he's still improving. What makes McBride so enjoyable to hear is his combination of ludicrous technical skills with a style that is thoroughly grounded in a traditional jazz feel. On "Ornithology," a challenging Charlie Parker tune. McBride played faster, louder, cleaner and more lyrically than Redman. It is not normal for a bass-player to manhandle a saxophonist playing bebop, but McBride is the Bird of the Bass...

Author: By Eric D. Plaks, | Title: Redman Quartet Concert 'A Trip' | 11/9/1995 | See Source »

After years of legal wrangling, the university settled out of court--to the tune of $2 million (plus $500,000 in lawyers' fees...

Author: By Todd F. Braunstein, | Title: Small Policy Differences Could Have Big Results | 11/7/1995 | See Source »

Just when it seemed safe to turn on the radio again, ENRIQUE IGLESIAS, son of Julio, has released an album. In its second week on Billboard's Latin charts, the single Si Tu Te Vas is at No. 6, while the elder Iglesias' latest tune languishes at 17. Father and son share a certain musk-scented vocal quality, it's true, but Julio knew nothing of Enrique's interest in music until Enrique got a three-album deal with Fonovisa. "He was kind of shocked," says Iglesias Jr. Non-Latin lovers, despair not: he hopes to make an English album...

Author: /time Magazine | Title: People, Nov. 6, 1995 | 11/6/1995 | See Source »

CLICK, CLICK. SOMEONE TUNE IN MORrow to a station, any station! Does he watch rock videos or listen to the radio? Was he ever a teen, or was he just born old? Today's teenagers are no different from any other generation's! Morrow should focus on the recommendation made in his last sentence: "Change the myth, and the values follow.'' MARTI WEST San Diego, California...

Author: /time Magazine | Title: Letters, Oct. 30, 1995 | 10/30/1995 | See Source »

...PRINT DRESS WHOSE NECKLINE dips well below the level of propriety, Julie Johnson takes a few dainty steps to the front of the stage, sucks a little more oxygen into her grand bosom and singes the audience with I Do What I Can (with What I Got), a torchy tune about the advantages and imperatives of being a knockout babe. Johnson's rendition, in the Larry Grossman musical Paper Moon, is a KO as well; she coos, she beguiles, she does everything but bump it with a trumpet. It's the sort of turn to persuade even a show...

Author: /time Magazine | Title: THEATER: BROADWAY'S NEW BABIES | 10/23/1995 | See Source »

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