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...represent. If so, the attitude could backfire. Suspending Rooney might encourage more special-interest groups to blow whistles at even less substantial slights. As for Rooney, he continues to produce a twice-a- week syndicated column and is working on a book. He will probably not change his offbeat tune much. "Public relations," he says, "is a business that I'm not in." Thank goodness. CBS is doing enough backpedaling for everyone concerned...

Author: /time Magazine | Title: Video: Zapping A Curmudgeon (Andy Rooney) | 2/26/1990 | See Source »

...playing a woman, particularly one that's supposed to be the heartthrob of the show. He carries off his new persona with grace and humor. His "Wilhemina Wordsworth" character is melodramatic yet snide, and Tomarken plays her to the hilt. And his excellent rendition of the gospel tune "I'm Getting Married and I'm Mourning" is definitely one of the high points of the show...

Author: By Emily M. Bernstein, | Title: Pudding Heights | 2/21/1990 | See Source »

Professor Clive was, then, hardly in sync with the dominant tune. One didn't have to attract his attention. It was indeed difficult to avoid it. When I entered Harvard, I read the Confi-Guide's annual admonition: "Mother Harvard doesn't cuddle her young." John Clive rendered this statement a falsehood, and made this university so much more of a human place...

Author: By Gary D. Rowe, | Title: Clive Remembered | 2/17/1990 | See Source »

...doesn't really tune into local politics,and he doesn't seem to want to," says State Sen.Michael J. Barrett '70 (D-Cambridge), who livesdown the street from Weld on affluent FayerweatherAve. in Cambridge. "He lives in Cambridge, but Idon't know how interested he is in Cambridge...

Author: By Chip Cummins, | Title: Flashback or Glance Forward? | 2/13/1990 | See Source »

...Banner's lyrics, written by Francis Scott Key after the British assault on Baltimore in 1814, as difficult to memorize, warmongering, and insulting to America's staunchest ally. They also claim that the music is derived from a drinking song popularized at London's Crown and Anchor Tavern. The tune's highs and lows are, well, too high and low. Bass-baritone George London contends the Banner is "impossible to sing if you're sober." Opera singers have the best chance to cover the octave plus a fifth. But the soprano who starts a half-note too high will shatter...

Author: /time Magazine | Title: Oh Say, Can You Sing It? | 2/12/1990 | See Source »

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