Word: tuned
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Dates: during 1940-1949
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...offers a chance for a tedious kind of bedroom humor from which westerns used to be a refuge; at one point Mr. Morgan and Miss Wyman, snug under separate blankets, even play footie. Entertaining moment: Janis Paige, bulging a skintight costume and singing Cheyenne, a pretty nice oat-fed tune...
...Love, in which Pianist Artur Rubinstein plays Schumann's music straight (TIME, May 26). Schumann's Träumerei will be crooned and swung as Fantasy; the song Widinung will be known as Dedication. From the great A Minor Piano Concerto, Mossman has wrung a vapid tune called A Love Story...
...music at the College of Wooster (Ohio), Professor Gore divides the church music he scorns into two broad classes. One kind is "soft purrs from the organ, a gentle humming from the choir, hymns sung slowly and glueily and ... a maudlin ditty played sotto-voce on out-of-tune chimes," the whole being calculated to "lull the listener into a dream state." The other kind is erotic music calculated to excite the listener into a state of unholiness...
...shuffled slowly through the Yard. He was drearily humming the tune whose words went ". . . sleeping in the noonday sun." It seemed the whole city of Cambridge was sleeping, like some Italian village. The rush and stir of exams, Commencement, and Reunion had passed. Tercentenary Theater had returned to its unknown lair from which it would not emerge until next June; the Yard was shady, quiet, and deserted. Ivy-covered Widener frowned down on ivy-covered Emerson and ivy-covered Sever. Vag was sorry that he had stayed in Cambridge. Better to have gone almost anywhere--New York, Maine...
...Britten has written for a small cast and a chamber orchestra so that his opera can be performed easily and often. His newest music is easier to listen to than to sing. Said Baritone Frank Rogier, who sang the role of Seducer Tarquinius: "Any time you sound in tune with the orchestra, you're off. So you go in the other direction." But Britten's insistent, subtle use of rhythmic and dissonant backgrounds put a wallop into Librettist Ronald Duncan's seething play. The opera opens with a rousing drinking and singing bout in the tent...