Word: tuneless
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Dates: during 1960-1969
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Beethoven had his 65-minute Ninth Symphony, Bach his two-hour B Minor Mass. But for Soviet Composer Aram Khachaturian, a three-minute piece of tuneless orchestral blooey has been enough to establish a worldwide reputation. Last week the man who wrote the Sabre Dance (1942) made his American debut, conducting the Washington National Symphony orchestra in a program of his own music. His reputation was enough to sell out the barnlike Constitution Hall (3,810 seats, plus 50 crammed onto the stage beside the orchestra) two nights in a row. The Sabre Dance was on the docket...
...These venture-capitalists have a dismal evening in store for them. The musical concerns itself with a pair of schoolgirls who spend off-hours spying on a concert-stage idol (Don Ameche). When he is not pounding the keyboard, he dallies with suburban and urban matrons. The music is tuneless, the lyrics witless, and the dances could pass for mass hopscotch...
...capitalists have a dismally disenchanting evening in store for them. The musical concerns itself with a pair of schoolgirls who spend off-hours spying on a concert-stage idol (Don Ameche). When he is not pounding the keyboard, he dallies carnally with suburban and urban matrons. The music is tuneless, the lyrics witless, and the dances could pass for mass hopscotch. What less...
...conductor's arm chopped down -not to give the downbeat but to start his stop watch. Twenty-three minutes of tuneless blatting erupted from the trombonist, first of a dozen instrumentalists to play in sequence. Although the instruments were plugged into a bank of ten loudspeakers (with four technicians at the potentiometers, or volume controls), the audience strolled around the stage to pick up sounds from every angle. One player improvised his own percussion by borrowing a woman's slipper and rapping it on the platform. After four hours. Conductor Karlheinz Stockhausen finished Ensemble and, with many...
SWEET CHARITY (Columbia). Cy Coleman's score and Dorothy Fields's lyrics are spotty in this hit-show album. Gwen Verdon's songs sound strangely tuneless, and the show's greatest asset, Bob Fosse's choreography, is lost completely. But some of the second-lead and chorus numbers are sprightly, particularly the memorable Baby Dream Your Dream, sung by Helen Gallagher and Thelma Oliver...