Word: tunelessness
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...least melodic albums ever released by a conventional candidate for pop superstardom. With the sole exception of “Quitter”—a light, playful track firmly in the traditions of Nashville—the entire record consists of overwrought, impeccably produced, tuneless and indeed lifeless numbers as utterly forgettable as the “coronation songs” that “American Idol” winners sing in each year’s final show...
Banner’s sequel embodies the redemptive themes of its predecessor. At times MTA2’s spiteful rhymes and often tuneless tunes uncomfortably evoke thoughts of slavery—functional, slow and relentless like dirges, with scarred chants serving as choruses. There’s little time for bling-bling hedonism; at best Banner and clique wallow in their grim depravity with a smirk. Crunk ballads (!) such as “My Lord” are overshadowed by workhorse tracks like “Crank It Up” and the “Like A Pimp?...
...fact that both these fictional characters (and, it is hinted, Woolf herself) find what consolation they can in a rather dispassionate lesbianism. This ultimately proves insufficient to lend meaning to their lives or profundity to a grim and uninvolving film, for which Philip Glass unwittingly provides the perfect score--tuneless, oppressive, droning, painfully self-important...
...would have been a pretty bold statement, even if it hadn't been immediately followed by Howie from Backstreet Boys doing a tuneless rendition of the national anthem with his sister. (Which just goes to show you, there are greater degradations than those *NSync Chili's Baby Back Ribs commercials.) This was, after all, the already-legendary newest low point in reality TV, three three-round bouts between professional has-beens on network prime time. But congratulations, Fox: if by "honor" you meant "titillate, tease and ultimately leave feeling slightly dirty," well, mission accomplished...
...would suggest that someone learn lead guitar. But a group with as many albums to their name as Dressy Bessy must be going for some deliberate effect. The singing only adds to Dressy Bessy’s troubles. Liz Phair can get away with gravelly vocals, leaning toward the tuneless. She does it right, making it sexy and mixing it up. But Phair never tried it with two-part harmony. It’s the uneasy polyphony between Ealom and her back-up that makes the off-pitch vocals on tracks like “Just Being Me?...