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Word: tunes (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Every hour on the hour he leaves his beer, turns out the stage lights, and addresses the piano. Hr begins every tune with a style just this side of Eddie Duchin, but infinitely more subtle; this pleasant music may last for as many as 32 bars before the cocktail pianist gives way to the ragtime revivalist. Sutton plays almost no ragtime "classics"--his entire repertoire consists of such out-of-context numbers like "Just One of Those Things," "The Way You Look Tonight," and "Body and Soul...

Author: By Charles W. Bailey, | Title: JAZZ | 11/29/1949 | See Source »

Cummings, with his ninth straight recording on the turntable, relented. "I never went for Mule Train" he explained mildly. "The only way to get my fans around to my way of thinking was to play the tune to death...

Author: /time Magazine | Title: Radio: Whiplash | 11/28/1949 | See Source »

...which the Orchestra ought most surely to have fallen down. Yet it emerged on top. All entrances were accurate and confident. The strings were together, really together, biting out their passages with a precision reminiscent of some Koussevitzky performances I have heard. The woodwinds were in tune with each other, and the brass was prominent but never blatant. In short, the Orchestra bit off a large piece of music and swallowed it admirably...

Author: By E. PARKER Hayden jr., | Title: THE MUSIC BOX | 11/25/1949 | See Source »

...psychological study of the child. An improbable ending, in which the boy showers a group of gaffers in a park with the pilfered church money and the old men have a sort of mystical experience as they grab for the coins, is contrived and hopelessly out of tune with the rest of the story. There are also two failures, only one of which seems intentional, to sell properly the "et cum spiritu tuo" response of the Mass. Kilty is a better actor than writer...

Author: By Aloysius B. Mccabe, | Title: ON THE SHELF | 11/12/1949 | See Source »

...film has enough seamy passion, sordid heroism, and familiar props (a smoky nightclub like the one in Casablanca, repeated torch-singing of a Tin Pan Alley tune) to make it a caricature of a Bogart film. Wearing his old trench coat and mouthing a cigarette. Bogart returns to Tokyo after the war to start a small freight airline backed by a blank-faced racketeer (oldtime silent Cinemactor Sessue Hayakawa). By the time the comic-book plot has run its course, Bogart has saved his ex-wife (Florence Marly) from exposure as a Tokyo Rose, stopped the infiltration of war criminals...

Author: /time Magazine | Title: The New Pictures, Nov. 7, 1949 | 11/7/1949 | See Source »

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