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Word: tunes (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...guest the Class of 1970, but to suggest the ways in which Harvard works to shut us from responsibility for our politics. This trend cuts both ways. The little Podhoretz's in Eliot House today telling us to protect our "interests" in Central America would be singing a different tune were they getting draft notices in the mail next week rather than invitations to work for Morgan Stanley. Happily we don't have to make the life and death choices Fallows had to make, but indications are that we still haven't learned the dangers of posturing...

Author: By Michael J. Abramowiz president, | Title: A Parting Shot | 1/30/1985 | See Source »

...seminal force in Creedence Clearwater Revival, he sang, "The man from the magazine/ Said I was on my way/ Somewhere I lost connections/ I ran out of songs to play." It was as if Fogerty had seen the future plain. Seven years later, that haunted little reverie from a tune called Lodi had turned into grim reality. He had lost out on--been done out of, he would say--millions of dollars in a bitter wrangle with his money managers. He got jammed up legally, and creatively he had gone dead...

Author: /time Magazine | Title: Music: High Tide on the Green River | 1/28/1985 | See Source »

...sings the tune without the words...

Author: /time Magazine | Title: Essay: Hope Sprouts Eternal | 1/28/1985 | See Source »

...also a gigolo in jade. He is onstage perhaps half as much as the actress who plays Anna, the Englishwoman who educates the King's children; and of the half-dozen songs that still elate the memory (Hello, Young Lovers, Getting to Know You, I Whistle a Happy Tune, etc., etc., etc.), the King sings none. It matters not. By dint of dogged charisma, Brynner has identified himself with a role more than any other actor since Bela Lugosi hung up his fangs. Last week, when his "farewell" tour opened to packed, enthusiastic houses on Broadway, he was incarnating...

Author: /time Magazine | Title: Theater: Yul Tide: The King and I | 1/21/1985 | See Source »

...Rivera himself spends most of the tune in the upper register of his alto, getting a soprano-like sound from it. His raw and driving post-bop sound combines with Roditi's bright, powerful trumpet as well as Portinho's samba beat and bassist Lincoln Goines, who is another Tania Maria veteran, uses his instrument to duplicate the sound of the surdo drum, the heart and soul of the samba...

Author: By Kevin Carter, | Title: From Cuba With Love | 1/18/1985 | See Source »

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