Word: tunesmithing
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...best known as a serious, soul-baring folk-rocker, but the chart success of Sheik's 1996 single Barely Breathing outed him as a pop tunesmith with a knack for gorgeous songwriting that doesn't resort to schmaltz. Sheik's new CD veers back toward his dour side, where he finds plenty to be glum about--the perils of record-business starmaking in Nothing Special and the falseness of big-city life in That Says It All. It's no surprise that he intends to avoid being trapped in lightweight pop: he's 28 and wants a long career...
...Peters, whose choir-girl voice has a seductive hint of late nights and cigarettes, knows the tunesmith's secret: crafting a good love song. The catchy, uptempo Over Africa sees love as "a force of nature...the power of need." And the passionately elegiac When You Are Old is a declaration of eternal devotion: "When your brave tales have all been told/ I'll ask for them when you are old." In Peters' music every tale is brave, unique, beautiful...
...surprised. Willie Nelson's gone and grown up -- but he's done that before. From Nashville tunesmith to Austin outlaw, country singer to pop star, counterculture plaything to movie personality, conscience of Farm Aid to IRS whipping boy, he's remained a maverick without portfolio or apology. The only consistent quality about him has been his unpredictability...
Really Useful Holdings has certainly proved useful to tunesmith Andrew Lloyd Webber. Last week he sold a 30% interest in his company to European record giant PolyGram for more than $130 million. The London-based creator of Cats, The Phantom of the Opera, Starlight Express and other theatrical sensations has been criticized for shallowness, but no one questions Lloyd Webber's status as a cash machine. For PolyGram, the investment in Really Useful is the latest step in an aggressive and costly drive to buy up independent entertainment companies, following the acquisition of A&M and Island Records. While...
...sprawling, sometimes rambling narrative indulges in an uncomfortable amount of kitchen psychoanalysis ("The only thing that can explain this man, with his chain smoking, pills, liquor, insomnia, and need for crowds, is incredible pain") in arguing that Bernstein's background has forged the schizoid musician, from slick tunesmith to leonine conductor, that he has become. In Peyser's view -- formed with the partial cooperation of Bernstein, who gave her permission to use some personal letters -- the works of the artist cannot be understood without taking into account the character...