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...Chillout Tent” is the catchiest tune of the bunch, which is rather ironic considering that it is about drug overdoses. Yet the high-pitched female vocals, background piano, and the lyrics about young love—albeit in an illegal-substance-induced, together-in-the-hospital sort of way—disguise the stranger side of the love ’em and leave ’em experience...

Author: By Beryl C.D. Lipton, CONTRIBUTING WRITER | Title: CD Review: The Hold Steady, "Boys and Girls in America" | 10/12/2006 | See Source »

...Dark Angel (Fox, 9 p.m.) You could tune to ABC, NBC, CBS or PBS tonight and watch a reasoned exchange between Al Gore and George W. Bush. Or you could tune in to this sci-fi action thriller and watch the reasoned exchange between star Jessica Alba's foot and the asses of several thugs twice her size. As a bioengineered superbabe on the run from a military program in a dystopic year 2020 after a terrorist attack has wiped out America's computers and started a depression - whew! - Alba is to "Dark Angel" what Keanu Reeves...

Author: /time Magazine | Title: Fall TV Preview | 10/11/2006 | See Source »

Despite the disappointing loss in the finals yesterday morning, players believed the tournament was a success overall. While winning is always nice, the fall season is traditionally used as a tune-up before the more significant spring season...

Author: By Julia R. Senior, CONTRIBUTING WRITER | Title: Pair Challenges Deep into Third Set of Final | 10/9/2006 | See Source »

DIED. Isabel Bigley, 80, Bronx-born stage and TV actress best known for creating the role of Sarah Brown, the prim missionary who falls in love with gambler Sky Masterson and sings of her passion in the signature tune If I Were a Bell ("If I were a bell, I'd be ringing ... if I were a lamp, I'd light"), in the 1950 Broadway hit Guys and Dolls; in Los Angeles. Undeterred by a rehearsal during which fiery composer Frank Loesser, underwhelmed by her rendition of Bell, slapped her in the face, Bigley won a Tony Award...

Author: /time Magazine | Title: Milestones Oct. 16, 2006 | 10/8/2006 | See Source »

...singular sensation of a show tune if there ever was one. That little three-note figure - doo-do-de, doo-do-de, doo-do-de - is still one of the most thrilling buildups in the history of the musical theater. But it's just the ice cream sundae at the end of Marvin Hamlisch's rich banquet of a score, with its equal helpings of Tin Pan Alley schmaltz and modernist invention. Sure, it's too soon for a Chorus Line revival. But it's also too soon to dismiss this show with mere nostalgia...

Author: /time Magazine | Title: A Chorus Line: Still Kicking | 10/6/2006 | See Source »

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