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...French courts; the first verdicts in these cases are expected early May. With an additional 600,000 jobless expected to see their payments slashed over the next two years, the Marseilles precedent could carry costly consequences. Last year, the state unemployment insurance administration was in the red to the tune of €4.3 billion. The agency's plan to limit the shortfall to €1.2 billion this year under the reform is now in jeopardy. It has appealed the Marseilles ruling, but if the initial judgment is upheld, chances are high that more and more jobless will be heading...

Author: /time Magazine | Title: Revenge of the Jobless | 4/25/2004 | See Source »

...theirs to have a video, which the band is pleased to have seen on MTV2. They are optimistic about breaking into American music, and if this single is any sort of barometer, their chances look pretty good. Almost half the audience knew all the words to this insanely catchy tune, and the other half was no less into it. If anybody was new to Clearlake, it seemed like this song alone—at the end of this stunning set—would be enough to convert them. The band knows this and is happy. When asked about what they...

Author: By Christopher A. Kukstis, CRIMSON STAFF WRITER | Title: Clearlake Flashes Its British Charm | 4/23/2004 | See Source »

...comparisons, but they’re much more closely related to the Stills school of bass-driven Morrissey cribbing. A year after the release of their record, Sunlight Makes Me Paranoid, they’re finally getting some wider attention due to heavy touring and radio play for the tune “Misfit.” Seachange and Lockgroove open. $10 in advance, $12 day of show. 18+. 8 p.m. Middle East Downstairs, 472 Massachusetts...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 4/23/2004 | See Source »

Radio Days Fed up with noisy DJs and cookie-cutter programming, listeners pay up and tune into Internet and satellite radio...

Author: /time Magazine | Title: Table of Contents: Apr. 19, 2004 | 4/19/2004 | See Source »

Sondheim and Weidman have made only minor changes for the new production (directed by Joe Mantello) beyond including a new song, Something Just Broke, written for the 1992 London version. It's a nice addition to a score that is (oddly, given the subject) one of Sondheim's most tuneful and accessible, with its stylistic echoes of American folk ballads, gospel hymns, Sousa-style marches and turn-of-the-century waltzes. Sondheim has little patience for the long-voiced criticism that many of his scores abandon melody for astringent experimentation. "I do what is required for each show," he says...

Author: /time Magazine | Title: Theater: In the Cross Hairs | 4/19/2004 | See Source »

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