Word: tunnelling
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Dates: during 1990-1999
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That picture is contradicted, however, by a man who told French police that at the tunnel entrance he saw the black Mercedes surrounded by motorcycles, one of which appeared to cut it off just before the crash. The witness, Francois Levi, who was driving with his family that night, says he entered the tunnel two cars ahead of Diana and Dodi. "When the motorcycle cut in front of [Diana's car]," he says, "I saw a large white flash...
...French police refuse to confirm officially either claim, and auto experts say the postcrash position of a speedometer needle is an unreliable indicator of a car's final velocity. Partly on the basis of the condition of the car at impact, police speculate that the Mercedes arrived at the tunnel entrance--where the roadway bends and dips sharply to the left--at between 80 and 100 m.p.h. The car appears to have first scraped the right side of the tunnel, then rocketed left into one of the concrete support posts about 100 ft. inside the tunnel. It slammed one more...
Frederic Mailliez, a French physician who came upon the accident scene by chance, says he found Diana unconscious but "moaning and gesturing in every direction." There was another sound in the tunnel that night: the whirr and click of paparazzi cameras, like little guillotines. Mailliez says that when he arrived, 10 or 15 photographers were already at work. First to arrive were Romuald Rat, 24, of the Gamma agency, and Christian Martinez, 41, of Angeli. Rat insists that he tried to help by opening the car's right rear door and feeling Diana's pulse. "I saw the princess sitting...
...sons don't have her, and part of the blame has to be placed squarely on the lunacy of publications paying exorbitant amounts for whatever the paparazzi can get by whatever means. The photographers in hot pursuit of the couple into a tunnel under the Seine were quickly arrested, but none of the publications that buy their pictures have so far been taken into custody. If the publications don't buy, the photographers won't shoot. Steve Coz, editor of the National Enquirer, says he swore off overly aggressive photographers a year ago when he saw the scrum that formed...
...been pronounced dead, the dilemma facing some British publishers was what to do about the pictures taken that fateful night. The National Enquirer's Coz says he will not purchase any such photos, in an effort "to send a message." Someone may well publish a picture from the tunnel, and to keep blood off its hands, the public must avert its eyes. We can blame the press only if we stop watching...