Word: turbidity
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Dates: during 1950-1959
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...which are mostly determined by shifting ocean currents and the consequent shift in water temperatures. But they are also thinking about the possibility of fertilizing the ocean. Some parts of it are naturally rich and boiling with life. The water of breaking waves in such areas is green and turbid because it is full of microscopic plants and animals grazing on them. But large parts of the ocean are deserts with hardly any life. Their breaking waves are sapphire blue, the color of clear and lifeless water. Fish migrate away like cattle from a grazed-out range...
...notion of creating artificial upwelling in sterile parts of the ocean. One possibility is a nuclear reactor sitting on the bottom and slightly warming the water around it. The warmed water will rise, carrying nutrients to the surface and turning clear water, admired only by tourists, into rich, turbid pastures. Another way would be to pump deep water into some closed area, such as a Pacific atoll, to make a kind of concentrated fish farm...
...making its turbid case for the golden rule, this film preaches with the earnestness of a morality play, but its melodramatic heights seldom attain those of Little Orphan Annie. Wallowing Methodically in his Slough of Despond, Sal Mineo-pouting, simpering, and rolling his eyeballs on the rocky road to manhood-is singularly unconvincing as a meek and mild sort of Michelangelo angel who is all set to inherit the earth...
Island in the Sun (Darryl F. Zanuck; 20th Century-Fox), an unraveling of Alec Waugh's 1955 bestseller, is Moviemaker Zanuck's first lone-wolf production since he left Fox. This turbid plot-boiler clearly rates a special award as the sexiest West Indian travelogue ever made. The mating season is always in full swing on the throbbing Caribbean isle of Santa Marta, which doubtless boasts the highest imaginary birth rate of any 50-mile-long island under the sun. Island employs even the unsubtle cinema device of the screen-bottom exit, pointed up with gasps and romantic...
Four Sonatas for Piano (Zadel Skolovsky; Columbia). A talented pianist enthusiastically takes on four distinctive 20th century styles: Scriabin's still-misty modernity (Sonata No. 4); Alban Berg's early and rather turbid atonality (Sonata, Op. 1) ; Bartok's lean, athletic, but vividly coherent paganism (Sonata); and Hindemith's smooth-flowing manner that says little at great length (Sonata No. 2). The performances are clean and sure...