Word: turiddu
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...Caruso. In those days, the chorus was bigger - 120 members - and the newest arrival was paid $24 a week, plus $2 for solos. In the present unionized chorus, Belleri earns around $155 a week and $15 to $30 for solos (although she makes only $5 extra for screaming that Turiddu has been murdered by Alfio in Cavalleria Rusticana...
...cantor in the neighborhood synagogue, for years owned his own textile business, broke into the Met in 1945 with almost no previous operatic experience. He freely confesses his lack of acting talent, but under proper direction he has produced some fine dramatic characterizations, e.g., Don José, Turiddu, Farrando in Così Fan Tutte. He has a big, warm, sensuous tenore robusto...
...last week's Cavalleria, from the moment Tucker's fervent and sensuous voice sounded offstage in Turiddu's precurtain love song, the audience was his. Dressed in a tinhorn gambler's dark shirt and the cheap Sunday suit of a Sicilian villager, Tucker swaggered about the stage in response to broken pleas from Santuzza (well sung by Veteran Zinka Milanov). He powerfully thundered forth his challenge to Alfio, husband of his mistress, and in the final great aria movingly sang his farewell to his mother, the sure delicacy of his voice topped off by his rough...
...Manager Rudolf Bing had turned to the Met's own staff of directors and set designers. Staff Director Hans Busch planned to give "Cav," a turbulent little tragedy of Sicilian chivalry, a thoroughly realistic treatment. He slipped up on some details. Sample: when cuckolded Alfio challenged swaggering Seducer Turiddu, Alfio stood well back, out of all possible harm's way, looking considerably more foolish than furious. But despite such incongruities, and the fussy set and cluttered stage that offended Critic Downes, the singing (notably by Tenor Richard Tucker and Soprano Zinka Milanov) almost turned Cavalleria into a triumph...
When a Sicilian wants to duel, he neither presents his card nor flips his glove in his enemy's face. Instead, he bites his opponent's ear. Enacting the role of Turiddu in Cavalleria Rusticana at Manhattan's Hippodrome last week, Tenor Sidney Raynor's bite went wild. He missed Baritone Rocco Pandiscio's ear, took a painful nip out of the Pandiscio cheek. Peace was made over the bandaging backstage. Later in the evening Baritone Pandiscio went onstage with his round jowl swathed. He played his next role heartily, the doleful clown in Pagliacci...
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