Word: turn
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Dates: during 1990-1999
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Federico Garcia Lorca, born in Spain ear the turn of the century, is one of the most remarkable and most ambitious literary figures of the past century, his creative ability manifesting itself not only in is legacy of poetry, prose and drama but also in drawing, painting and music, His body of delicately sensuous, highly symbolic poems are still considered among the most beautiful written in Spanish; the literary autobiography he wrote while attending Columbia university in 1930, A poet in New York, is a modern classic...
...obsession, her infertility a trauma that begins to blur the boundaries between psychological and physical pain until it becomes an unbearable torment to her ("Every woman has enough blood inside her for three or four children," she says despairingly, "and if she doesn't have them, it'll turn to poison...
...film would have been a classic Bill Murray shriek, but instead we only see the unrelenting self-assurance which seemed to have disappeared after Ghostbusters. It's heartening that the same old funny is still there, while other "Saturday Night Live" grads in Murray's matriculating class continue to turn out mediocre family films for Disney...
...daytime and not raining. In a fine version of the somewhat beefy Ellroy crime novel ostensibly about a strange murder, director Curtis Hanson portrays the cool, brutal world of Hollywood glam and corrupt police in 50s Los Angeles with all its gradations of ethics. Guy Pearce and Russell Crowe turn in fine performances that give us two different approaches to policing, thinking first and hitting later, or vice versa. A reptilian James Cromwell and slick Kevin Spacey round out a fine cast and a finer tale...
...second movement faltered, but the third and fourth were compelling. The Allegretto was wonderfully reminiscent of Smetana and, except for a few more tuning concerns, captivated one's attention through to the coda. There were two excellent things about the fourth: the grand turn of the cellos and the terrifyingly loud sound of the symphony's last half-minute. Here the brass imbalance seemed plausible if not prudent. Everything, in fact, seemed that way. But the effect was titanically impressive...