Word: turned
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Dates: during 1950-1959
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...world's No. 1 road-racing driver, Juan Manuel Fangio is an old friend to danger. The 46-year-old Argentine has seen its blurred face in the swirling landscape of a hundred tracks, known its angry snarl whenever his sports car skidded through a tight turn. But one evening last week he stared at danger in a new form: the muzzle of a pistol. Poking the weapon at him in the lobby of Havana's Hotel Lincoln was a tall young man in a leather jacket. "Fangio, you must come with me," he ordered...
...Turn to Trouble. On the Malecón, the danger more familiar to Fangio began to haunt his fellow racers as they whirled into the long (315 miles) grind. Britain's Stirling Moss took the lead in a Ferrari, Missourian Masten Gregory, driving another Ferrari, was second. Fangio's Maserati, in Trintignant's hands, fell far back to 13th place. By the end of five laps, all the drivers saw that almost every turn was slick with spilled oil; they knew that they were in for trouble...
Next time around, Cuba's Armando Garcia Cifuentes, 27, met trouble headon. His bright yellow-and-black Ferrari skidded out of a shallow turn and tore into the crowd. It spewed up at least 40 casualties, including seven dead. In its wake lay empty shoes; spectators had been knocked right out of them. Said Porsche Driver Ulf Noriden, who stopped his car and ran back to help: "I couldn't even see the Ferrari. The bodies were piled all over. I was wading in arms and legs." Panicky survivors swarmed across the Malecón, careless...
...from the Evangelical-United Brethren Church and served as assistant to All Souls' late, famed Pastor A. Powell Davies, rejected for himself even the loose definition of Christian as one who tries to follow the teachings of Jesus. "Which Jesus should I follow-the one who said 'Turn the other cheek. Love your enemies.' or the one who said 'Do not think that I have come to bring peace, but a sword...
...style seemed more surely dead and buried than Art Nouveau, the turn-of-the-century vogue for flowing, whirling motifs and gingerbread gewgaws. Thrown out by cubist artists who viewed such effulgent detail as a bad case of artistic warts, and banned by the stripped-down school of Bauhaus modern architects, the movement that once spread across Europe and to the U.S. had been dormant for decades. Now there is new interest in Art Nouveau-particularly among the strongest proponents of modern art and architecture...