Word: turned
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Dates: during 1960-1969
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SPITTING IMAGE. Some plays sound distinctly unappetizing in conception but prove surprisingly palatable in realization. For anyone who can abide the idea, this work about two homosexuals who have a baby provides a consistently amusing evening, nursing its basic joke with taste and felicity. Sam Waterston and Walter McGinn turn in accomplished performances as Daddy One and Daddy Two in what is probably the first homosexual play with a happy ending...
...whole incident proves a potent fact: even if radicals wanted to wield a tyranny, and they don't, they couldn't do so. The real tyranny, on the contrary, comes not from radicals but from the established powers, which make students so terrified of losing their degrees that they turn upon each other...
EVEN IF these financial worries turn out to be a false alarm, there is a second, more theoretical problem with Admissions that the Faulty will have difficulty avoiding. One of Harvard's most conservative but least questioned practices is graduating four times as many males as females from the College each year. That tradition is hard to question as long as Harvard and Radcliffe stay separate and have an inflexible number of spaces in their respective dormitories. But once the two schools merge, the tradition will be very hard to uphold. It is not even certain that Harvard could legally...
...restless, cynical and chafing under the discipline of the house whips. They spend a lot of their time sneaking swigs of vodka and planning romantic acts of rebellion. After a particularly strenuous caning by the head whip, the three take a blood oath: "Death to the oppressor!" They turn a school military exercise into a rout by threatening to bayonet an officer, and later sabotage the school's Speech Day ceremonies by detonating a smoke bomb and gunning down faculty, parents and students as they stream out of the auditorium. The film ends with its own Kiplingesque title...
...things turn out, Horace dwindles into one of the author's plot devices. He kills a man and is hunted by a posse in a series of scenes that are not good Williams but bad Faulkner. This is disappointing, but perhaps not important. The counterfeit Faulkner fades, and Horace stays stingingly in the mind, along with much else from Williams' uneven but intriguing fourth novel...