Word: turned
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Dates: during 1990-1999
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...match fragments at the bomb scene; storage bins rented by Nichols that held bomb components. On top of all that, there are Nichols' inconsistent, inaccurate statements to the FBI. "In my eyes, I did not do anything wrong," he told the agents. "But I can see how lawyers can turn stuff around." Judging by his own words, Nichols seems to have done a lot of that all by himself...
...Prohibition? No. But I am for a little perspective. We tend to think of the turn-of-the-century temperance movement as little blue-haired ladies trying to prevent people from having a good time on Saturday night. In fact, the temperance movement was part of a much larger progressive movement seeking to improve the appalling conditions of the urban working class. These were greatly exacerbated by rampant alcoholism that contributed to extraordinary levels of spousal and child abuse, abandonment and destitution...
Unlike today's breed of safe-bet directors, Stone is the guy who tries things. He works fast and hard: U Turn, the dark, barking melodrama that opens this week, is his 11th feature in 11 years. He godfathers other films (The People vs. Larry Flint, The Joy Luck Club), dabbles in TV (Wild Palms), keeps stoking his legend. A Child's Night Dream should do that: it's a big, toxic dose of undiluted Oliver. But don't take his word for him. Check out Jane Hamsher's funny, true-sounding Killer Instinct (Broadway Books; 288 pages; $25), about...
...have to wait for a tell-all book about U Turn, which John Ridley adapted from his novel Stray Dogs. The movie dwells in the dry heat of Superior, Ariz., a town halfway between Phoenix and Hades. As Bobby Cooper (Sean Penn) speeds through in his '64-and-a-half Mustang convertible, a vulture picks at the carcass of a canine that looks meaner than the bird; even the victims here wear a scowl. That's Bobby: a part-time tennis player, full-time weasel who kicks cats and isn't much nicer to humans...
Stone calls U Turn a scorpions-in-a-bucket movie; deadly critters snap at one another until only the strongest (or the top billed) survives. It also honors the familiar tropes of hombre films, from the requisite convenience-store holdup and multiple murder to a strident Ennio Morricone score (with the banshee harmonica from his Sergio Leone westerns). There's also a waitress named Flo. Stone swathes all this menace in his patented white-hot style: slo-mo, echoing voices, flashbacks that flick like lightning, cartoon sound effects (when the Mustang is mentioned, you'll hear a horse whinny...