Word: turnings
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Dates: during 1950-1959
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...disagree with the major theme of the editorial, namely, that Harvard should not train so many for the academic world. The greatest influence Harvard can have is in turning out large numbers of teachers. For every teacher trained we produce a multiple of business executives, engineers, statesmen, etc. The teacher in turn, of course, influences the world not only through the classroom but through his writing. A college that contributes a substantial proportion of the outstanding teachers and research men--and obviously the Harvard Ph. D. is going to devote a large part of his time to research even...
...have also learned that, beyond a certain point, Africa's problems become not so much those between blacks and whites as between Africans themselves. For generations French West Africans have feared the Senegalese, who were among the first to join the French in subduing them. The Senegalese in turn fear the lean, desert-dwelling Moors, who are fighting men with a long tradition of trading in slaves. In Houphouet-Boigny's Ivory Coast there have been recent race riots against African immigrants from Togoland and Dahomey...
...visit to Toronto, Australian Super-miler Herb Elliott gamely tried out an unfamiliar sport, as expected ended his turn on the hickories like ski bunnies everywhere: doing an Australian crawl down under a pile of snow. Shaken but game, he scrambled woozily to his feet, diplomatically calmed the fears of his hosts with a gingerly verdict on the adventure...
Giuseppe Verdi called the opera his "best beloved child," but audiences have consistently agreed with George Bernard Shaw, who sneered that Verdi tried to turn Shakespeare's tragedy into another Trovatore. Last week, when Manhattan's Metropolitan staged Macbeth for the first time in its 76-year history, the opera kept moving from the sublime toward the ridiculous. The score contains much hauntingly beautiful music,* prefiguring the emotional insights of Otello, but it is also marred by trivia, such as a kind of witches' cancan in the first scene. The libretto (by Verdi, put into verse...
...turn-of-the-century London waxworks, Redhead casts Gwen as Essie Whimple, a mouse-humble cockney-accented taxidermist of crime sensations. When the wax cools on her tableau of a purple-scarf murder before the clues do, and the strangler begins stalking her, poor Essie hides out as a showgirl with a neighboring theatrical troupe. For Essie, a spinster of 29, whose lips have never touched liquor, cigarettes or men, the greatest thrill is to be close to the show's American strong man (Richard Kiley). The problem: who will get whose man first-Scotland Yard or Essie Whimple...