Word: turnings
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Dates: during 1980-1989
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...that Morris was just trying to prove something to his father, a computer scientist with the top-secret National Security Agency, or (get this) he was trying to perform a public benefit by showing how vulnerable the nation's computer systems are. One friend even says the virus will turn to Morris' profit, as his notoriety attracts hundreds of lucrative computer job offers...
...team cruised to a 15th place finish out of about 70 participating teams in the IC4A Championships. The Crimson beat a tough squad from the University of Pennsylvania for the first time this year, but were in turn defeated by Ivy League opponents Dartmouth and Brown...
...needed a top-notch tinkerer. As the No. 2 manager at the world's No. 1 automaker (1987 revenues: $102 billion), Stempel presides over a company suffering from a showroom full of image problems. Originally known for the distinctive styling of its separate car lines, GM took a wrong turn in the 1970s when it began building cookie-cutter cars: a Chevrolet Citation was a ringer for a Pontiac Phoenix, for example. At the same time, shoddy workmanship, especially in the notorious X-car line, sent hordes of GM devotees to Toyota and Honda salesrooms for better-made products. Many...
Start with the veracity of Joe Isuzu. Add the civic virtue of Al Capone, the greed of Ivan Boesky, the gentility of a China Seas pirate. Wed this paragon to a bimbo on the make with the vanity of a Marie Antoinette and a shopping lust that would turn a Beverly Hills divorcee envy-green. Multiply by ten and you have, approximately, the portraits of Ferdinand and Imelda Marcos that Sterling Seagrave paints in this merciless account of the Filipino dictator's rise and fall...
These are variations on motherhood's worst-case scenario: you turn your back for a moment or make, under pressure of conflicting emotions, what seems to you only a minor error in judgment, and suddenly your child is snatched from you. For Lindy Chamberlain (Meryl Streep) in A Cry in the Dark, the loss is permanent: she never sees her baby again, alive or dead. For Anna Dunlap (Diane Keaton) in The Good Mother, the outcome is not quite so cruel: she faces losing custody of her daughter Molly, but not the child's death. Yet both mothers find themselves...