Word: turnsã
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...open debate.” It was the power of the student-citizen, argued Petersen, that fomented change in Harvard’s institutional policies, like the academic calendar, and moral issues, like divesting from organizations tied to Sudan. Yet, students “have been frustrated at many turns?? in efforts for change, said Petersen, and “this process of decisions made behind closed doors, this disempowerment of students, this denial of citizenship—must end now.” Petersen’s point was a valid and important one. The lack...
...strike a chord with the nation’s oldest college theatrical troupe. After co-directing and producing the freshman musical, “Get Some,” Wang went on to write scores for the 2004 and 2005 Pudding shows, “As the World Turns?? and “Terms of Frontierment.” He cites the flexibility of musical theater as one of its major draws for aspiring composers. “It’s a [musical genre] where there’s a lot of cross-pollination. There?...
...pretty similar background to everybody.” His first plunge into Harvard’s musical theater community came when he co-wrote “Get Some,” the 2003 Freshman Musical. He then went on to co-write “As the Word Turns?? for the Hasty Pudding Theatricals. With his co-writing of the off-Broadway “Snapshots” during his sophomore summer, Mitnick drew new ideas and icons into the language of musical theater. Mitnick later spent two summers working for Tony Award winner Stephen Flaherty...
...musical, called HPT 158 until it is officially titled, is the result of a collaboration between Sam Gale Rosen ’06 and Joshua M. Brener ’07. Both veteran HPT performers, whose theatrical resumes collectively include HPT 156 “As The World Turns?? and last year’s “Terms of Frontierment,” the new playwrights are no strangers to HTP style. In their new production, Gale Rosen, a history and literature concentrator, and Brener, an English concentrator, pair up history and hilarity...
Kiernan P. Schmitt ’06 knows his humor. The English concentrator co-wrote last year’s Hasty Pudding show “As the Word Turns?? (alternate title: “Vowel Movement”) and also penned the sticky and hilarious Currier House Musical, “Peanut Butter and Juliet.” Risking an offense to Conan O’Brian ’85, Schmitt took last semester off to intern for David Letterman. FM gave Schmitt a ring to hear the juicy details of J. Lo?...